Learning to play the drums - 20 questions for Franco Hänle

(06.02.2023)

Drum lessons with Franco Hänle

Franco Hänle |

Homepage: https://francohaenle.com


Franco Hänle began learning the drums at the age of 6, after all the cooking pots and buckets at home had already been repurposed. He teaches percussion at the Music School of the City of Ulm, and some of his former students now work as professional musicians, from symphony orchestras to freelance gigs and music teachers. Currently, he works as a lecturer for conducting at the Vocational School for Music of the Governmental District of Swabia in Krumbach, and he is very active as a freelance conductor and arranger...

Franco Hänle - Arrangements for Wind Orchestra

Whole biography

Franco Hänle is currently employed as a lecturer in conducting at the Vocational School for Music of the Governmental District of Swabia in Krumbach, and he is also very active as a freelance conductor, music teacher, and arranger.

Today he conducts several top-class symphonic wind orchestras. Concert tours have already taken him throughout Europe, to North America and Asia. In addition, he is a sought-after guest conductor as well as a juror at competitions for numerous associations (ASM, BDMV, BVBW, CISM, MON, SBV) and can be found as a lecturer at various courses in conductor training and further education. Franco Hänle's arrangements for wind orchestra, which are available from the publishers Universal Edition Wien, Baton Music and Musikverlag Emil Ruh, are performed throughout Europe.

One particularly memorable percussion-related event was an orchestral concert that incorporated a siren - a 'historical crank' model that is still used similarly in the military and produces an incredibly loud sound (capable of overpowering a full orchestra). When the siren was activated during the concert, some audience members hastily left the hall, not due to the music, but because they thought it was a fire alarm and had to evacuate the premises as quickly as possible.

"When you think of drums, the first thing that comes to mind is the drum set, but that is only a small part. That's why I rather speak of 'percussion', because it includes all instruments - which we play in various ensembles and orchestras. It's always nice to watch new music students enter the classroom and get wide-eyed (and can't get out of their amazement) when I explain to them that all the instruments in the big room can be played by us at some point. And that's what fascinates me to this day: the enormous instrumental and therefore musical diversity - there are no limits!"

REQUIREMENTS

What is the ideal age to start learning drums?

It depends on whether you want to start with the basics of snare drumming or jump straight into a small children's drum set. For children between the ages of five and seven, I've had good experiences with group lessons, which we call "Trommelissimo". For individual lessons, I've found that starting from around the 3rd grade is best, but of course there are always exceptions.

Is it necessary to learn to read sheet music?

In my opinion, music is very much like a language, and the goal should always be to achieve proficiency in three areas: "Speaking - Reading - Writing", which in music means "Playing - Reading - Writing/Improvising". With this approach, lessons can be flexible, and it's possible to get by without classical sheet music at first.

Children can learn very quickly with the help of rhythmic speech. But the amazing thing is that sometimes children can already play drum rhythms by following notation, even before they learn to read in school, because the notation of rhythms is so logical and self-explanatory.

Are there instruments that are played in a similar manner?

There are roughly three categories of percussion instruments: those that are played directly with the hands, such as all sorts of skin drums like Congas, Bongos etc. ), those that are played indirectly with the hands, such as tambourines and marching cymbals; and those that are struck with a mallet, which make up the majority of the instrumentarium.

What physical abilities are beneficial?

In this case, motor skills would be emphasized. In my experience, students who participate in sports alongside playing music tend to perform better. However, depending on the style of music, playing percussion can also be physically demanding.

How can you tell if you are ready to start playing percussion?

If you find yourself unable to sit still when music is playing, then you may be ready to start playing percussion.

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FINANCIAL

How much does the instrument cost?

Compared to other instruments, starting with the drums is relatively inexpensive, provided you can manage with just a snare drum and a pair of sticks (around €150). For a few hundred euros, you can buy a complete drum set at the entry-level. The range of instruments available is limitless, with new and different cymbals, tom-toms, and sticks or mallets continually becoming available.

Over time, you can expand your drum set with additional items like more tom-toms, different cymbals, and even a double-foot machine for two bass drums. Fortunately, more and more children are becoming interested in melody instruments such as xylophones, glockenspiels, vibraphones, and marimbas. With the latter, the professional models can cost as much as a small car.

Are there any other costs?

The upkeep costs are low, provided you take good care of your equipment. You can tune the instruments yourself, and you should not hesitate to do it! Of course, you can invest profitably in mallets, which are a significant part of the sound. Many instructors, including myself, have a whole travel case of sticks and mallets at home. But even an advanced student who plays in the school orchestra and a music club should have at least a small bag with their basic equipment.

How time-consuming is maintenance?

Our instruments do not require a complete overhaul at regular intervals. In my experience, the most significant wear and tear results from improper transport and less from actual playing. Sometimes, the hardware (like the stand) fails, and a screw may no longer grip tightly. In such cases, you should take remedial action.

How is the instrument transported?

You must always disassemble the instruments and store them in professional bags and cases. If necessary, wrap them in enough blankets and towels so that they are protected and cannot bang against each other during transport. Under no circumstances should you place instruments or parts in the trunk of a car.

Notes to get you started

PRACTICE MAKES PERFECT

Is it possible to learn to play the instrument on your own?

While it is true that producing sound on the drums is relatively simple compared to other instruments ("all you have to do is hit it"), it is my belief that the guidance and personal support of a teacher are invaluable.

How do you choose appropriate practice materials?

Today, the options for teaching materials are almost overwhelming. Factors to consider when selecting the right materials include the age of the student, their skill level, the instruments they have, their musical preferences, and their personal goals (such as playing in a band, orchestra, or music club).

How can you practice the drums without disturbing others?

The issue of practicing without causing disturbance should be given more careful consideration with drums than with other instruments, as even repetitive rhythms can be perceived as noise. In the event of conflicts with neighbors, it is recommended to first attempt to establish agreed practice and quiet times. Additionally, special mutes for acoustic drums and drum sets are available that can help reduce the sound. Particularly in urban areas, parents are increasingly opting for electric drum sets, which consist of pads and generate sounds electronically. The sound can only be heard through headphones.

What are the different playing techniques?

There are various unconventional playing techniques that are used to create unique sounds. These techniques are commonly used in solo performances and in orchestras, and include using a bass bow to stroke cymbals or sound plates, placing an upside-down cymbal on a timpani and spinning it, or using a rubber ball at the end of a stick to strike a tam-tam or bass drum. These techniques can produce distinctive and unusual sounds and can also be visually interesting for the audience to watch."

When can one expect the first successes?

Small successes can be achieved quite quickly, even within the first hour of practice. For example, an eighth note beat on the drum set can be learned in just one hour, allowing one to accompany many popular songs,(from "Let It Be" to "Last Christmas"). In an orchestra, one can also start playing along quite quickly with simpler percussion parts that are still important and necessary.

AND THEN...

What are popular pieces for the first audition?

For this, I like to recommend the many drumset solos by Eckhard Kopetzki. These pieces are very varied, suitable for all ages and skill levels, and are sure to bring joy to students.

What are the classics and what is your favourite piece?

There are two solo works for marimba that I frequently played when I was younger and which are still popular today, as I can attest from hearing them at competitions and auditions: Yellow After The Rain by Mitchell Peters and Ghanaia by Matthias Schmitt.

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Which piece really makes you want to play the instrument?

Here, I immediately think of the xylophone and the virtuoso Ragtimes for Xylophone. by George Hamilton Green. These pieces are so entertaining to play and greatly encourage fluency and filigree. The videos of Teddy Brown are particularly impressive, as he surprises and impresses with his virtuosity:

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How can you play music with others?

You can gain experience playing in an ensemble very early on, as you can already play ensemble pieces or simply improvise in small groups with just beginners. It's difficult to say at the beginning which path you will take later on, and it's always exciting to see where each student ends up. Some specialize at some point, while others remain all-rounders and play in every conceivable genre, from rock bands to symphony orchestras.

What function does the instrument fulfil in ensembles?

There are different functions. Often, it has a rhythmic-metric leading role for a good groove and tempo stability. In the orchestra, it enriches the sound in special ways, and it's always a special incentive to get the best out of it in the sense of 'sound fetishism' and to try out many sounds, instruments, beats, etc.

Are there any stereotypes about the instrument and its players?

One stereotype is that drummers are not considered musicians at all, and yes, I believe that we 'backbenchers' are a separate species in a way. But we also have to live up to a very special double role: musically, we are all soloists, as (almost) never a voice is doubled; on the other hand, we have to function as team players in the register, as we often play the same instruments, have to split voices, and simply work together in the same direction.

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All 20 questions

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