Wolfgang Amadeus Mozart (1756 – 1791)

The Magic Flute K. 620

German opera in two acts
Bärenreiter Urtext

W.A. Mozart: Die Zauberflöte KV 620, GsGchOrch (KA) (0)W.A. Mozart: Die Zauberflöte KV 620, GsGchOrch (KA) (1)W.A. Mozart: Die Zauberflöte KV 620, GsGchOrch (KA) (2)W.A. Mozart: Die Zauberflöte KV 620, GsGchOrch (KA) (3)W.A. Mozart: Die Zauberflöte KV 620, GsGchOrch (KA) (4)W.A. Mozart: Die Zauberflöte KV 620, GsGchOrch (KA) (5)W.A. Mozart: Die Zauberflöte KV 620, GsGchOrch (KA) (6)W.A. Mozart: Die Zauberflöte KV 620, GsGchOrch (KA) (7)W.A. Mozart: Die Zauberflöte KV 620, GsGchOrch (KA) (8)
forSoloists, mixed choir, orchestra
Musical EditionsPiano reduction (Urtext edition)
Item no.116416
Author / ComposerWolfgang Amadeus Mozart
TextEmanuel Schikaneder
EditorGernot Gruber, Alfred Orel
Languagegerman
Scope253 pages; 19 × 27 cm
Duration180 minutes
Release year2002
Publisher / ProducerBärenreiter
Producer No.BA 4553-90
ISMN9790006450510

Description

This new vocal score is based on the Urtext score from the “New Mozart Edition” (NMA II/5/19) edited by Gernot Gruber and Alfred Orel as well as on the latest scholarly research from the Critical Commentary by Rudolf Faber published in 2006.

The Magic Flute remains Mozart's most popular opera worldwide to this day. Schikaneder’s Freihaustheater auf der Wieden was a theatre in the suburbs of Vienna . It was a kind of people’s theatre with a corresponding repertoire and its attraction for the public was due not least to the use of spectacular stage effects. The concept ‘machine-comedy’ refers to the theatrical genre to which “The Magic Flute” owes its origins, and to which the work originally belonged. The premiere was given on 30 September 1791, conducted by Mozart.

With this new edition, Bärenreiter has now published vocal scores to all Mozart’s stage works in revised or new editions. These editions offer a historically grounded working basis and will be decisive for Mozart reception for the forthcoming decades.

  • Vocal score based on the Urtext of the “New Mozart Edition”
  • Incorporates latest scholarly findings from the Critical Commentary of 2006
  • Clear and legible music layout, easy-to-play piano reduction
  • Extensive foreword in two languages (Ger/Eng) by Dietrich Berke with notes on the work and performance practice

Content

  • Besetzung / Ensemble
  • Vorwort
  • Preface
  • Verzeichnis der Auftritte / Index of Scenes
  • Ouverture
  • Erster Aufzug
  • Zweiter Aufzug
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incl. VAT, plus shipping
In stock. Delivery time: 1–3 working days (Germany)
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