Johann Sebastian Bach (1685 – 1750)

The Art of Fugue BWV 1080

Urtext Edition,
Study score (pocket score)

J.S. Bach: Die Kunst der Fuge BWV 1080, Klav/Cemb (Stp) (0)J.S. Bach: Die Kunst der Fuge BWV 1080, Klav/Cemb (Stp) (1)J.S. Bach: Die Kunst der Fuge BWV 1080, Klav/Cemb (Stp) (2)J.S. Bach: Die Kunst der Fuge BWV 1080, Klav/Cemb (Stp) (3)J.S. Bach: Die Kunst der Fuge BWV 1080, Klav/Cemb (Stp) (4)J.S. Bach: Die Kunst der Fuge BWV 1080, Klav/Cemb (Stp) (5)J.S. Bach: Die Kunst der Fuge BWV 1080, Klav/Cemb (Stp) (6)
forPiano [harpsichord]
Musical EditionsStudy score (Urtext edition)
Item no.166942
Author / ComposerJohann Sebastian Bach
EditorDavitt Moroney
Scope159 pages; 17 × 24 cm
Release year2002
Publisher / ProducerHenle Verlag
Producer No.HN 9423
ISMN9790201894232

Description

Bach’s death meant that the Art of Fugue was left unfinished. In his father’s manuscript Carl Philipp Emanuel noted exactly where the last fugue of the Art of Fugue broke off: “While working on this fugue, in which the name BACH appears in the countersubject, the author died.”

Our editor Davitt Moroney brings the fugue to a close with 30 supplementary measures.

There has been frequent speculation about what type of scoring would be most appropriate for the piece, particularly since Bach wrote the individual parts in score form and left no information about instrumentation. Certainly, strict fugues can be found in any ensemble scoring; this had been normal for centuries. It is remarkable, though, how the cycle can easily be played on the harpsichord or piano – a strong argument for keyboard performance.

Content

  • Contrapunctus I-XIV BWV 1080
  • Canons in Hypodiapason, alla Decima, alla Duodecima, in Hypodiatessaron BWV 1080
  • Appendix: Contrapunctus XIII in the version for two Harpsichords BWV 1080
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