Jacob de Haan (b. 1959)

Missa Brevis

Musica Sacra

J. de Haan: Missa Brevis, Gch4Blaso;Or (Pa+St) (0)J. de Haan: Missa Brevis, Gch4Blaso;Or (Pa+St) (1)J. de Haan: Missa Brevis, Gch4Blaso;Or (Pa+St) (2)J. de Haan: Missa Brevis, Gch4Blaso;Or (Pa+St) (3)J. de Haan: Missa Brevis, Gch4Blaso;Or (Pa+St) (4)
forMixed choir (SATB), concert band; organ ad lib.
Musical EditionsScore, Set of parts
Item no.485882
Author / ComposerJacob de Haan
Leveleasy
Dimensions21 × 29.5 cm
Duration20 minutes
Release year2003
Publisher / ProducerDe Haske
Producer No.DHP 1033337-015
ISMN9790035069622

Description

Missa Brevis, written for choir and wind band, was commissioned by the Conseil Départemental pour la Musique et la Culture de Haute-Alsace (Dir.: Philippe Pfisterer) in Guebwiller (France), in celebration of the millennium of Pope Leon IX’sbirth in Éguisheim (France). The composer conducted the first performance on June 23, 2002. It was performed live for the French television channel France 2. The mass movements Kyrie, Gloria, Credo, Sanctus, Benedictus, and Agnus Dei are very suitable for the Catholic as well as the Protestant liturgy.

For this mass, various ways for performing in diverse variable strengths are possible. An instrumental performance is possible if the brass represents the choir parts. In this option, it is desirable for the brass to be positioned separately from the rest of the band (on a gallery, for example), so that the idea of two choirs is approached. In a performance with a large choir, the brass can work very well as a support. In that case, the dynamics of the brass should be adapted somewhat, since these are actually intended for an instrumental performance. You can also leave out the brass entirely for the benefit of the choir. For the accompaniment of smaller choirs, you can opt for a small ensemble from the band.

This can also be a quartet, put together as desired. For the performance of this mass, the obvious choice is one of the above options. However, as an alternative, a performance with a combination of theseoptions (vocally/instrumentally) is also possible not just from an artistic point of view (variation), but also from a practical starting point for example in the case that the choir has rehearsed only two movements. With a full strength, theconductor can vary the instrumentation to his or her liking. Then the brass can also play a role in the accompaniment (instead of supporting the choir).

The following combinations are possible: 1. clarinet choir (from Eb Clarinet to BassClarinet) 2. clarinet choir + saxophones 3. brass (flugelhorns, horns, euphoniums, bass section) 4. brass (2 trumpets / 2 trombones) 5. double reeds (optional + flute, optional + string bass) 6. tutti 7. all winds 8. allbrass In a performance by brass band and choir, it is usually advisable to leave out option 1 (choir + brass + band). The choir sings self-reliantly, accompanied by a full brass band. In an instrumental performance, you can consider a combinedquartet (two cornets and two trombones) + brass band. Choral parts available separately.

324.99  €
incl. VAT, plus shipping
Delivery time: 5–7 working days (Germany)
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