“Music owes as much to Bach as religion to its founder.” Robert Schumann
It is astounding how abundant and inexhaustible are his works. Johann Sebastian Bach (1685-1750) is more than the epitome of baroque music, and one wonders how a single person could accomplish so much in one lifetime. Show others the brilliance of Bach through Stretta!
After a number of engagements as an organist, in which he often confused more than supported parishes with his improvisational skills and harmonic experiments, in 1708, J. S. Bach was appointed Court Organist & Chamber Musician by the Duke of Saxony-Weimar. It was during this period that he composed most of his organ music. In 1714 he was promoted to Concert Master of the Court Orchestra, and one of his duties was to compose weekly cantatas for the Sunday Service, laying the foundations for the 300 or more Bach Cantatas, of which around 200 remain. For his next position, as Kapellmeister to the Prince of Anhalt-Köthen from 1717, Bach’s role no longer required him to compose sacred music, so it was here that many of any his instrumental works were developed, including The Brandenburg Concertos.
With his last role as Cantor of St. Thomas in 1723, Bach held his first and only official position working for the city, the city of Leipzig. He was responsible for the music at the four main churches in Leipzig, and he taught at St. Thomas’ Boarding School. The St. Thomas’ Boys’ Choir is still one of the most important, and traditional boys’ choirs in the world today. In his final years, despite his steadily declining sight, Bach still created works that are the sum, and pinnacle of counterpoint, such as The Musical Sacrifice or the The Art of Fugue.
As was common in the 18th century, Bach’s works were quickly forgotten after his death. People were only concerned with new music. It was Bach’s sons, and his successors at St Thomas’, who preserved his memory. Composers of the First Viennese School, like Wolfgang Amadeus Mozart and Ludwig van Beethoven, especially admired Bach’s counterpoint, and learned a great deal from him. In the 19th century Bach Renaissance, the St. Matthew Passion was famously rediscovered, and performed in Berlin in 1829 by Felix Mendelssohn-Bartholdy. Another important milestone was the first complete edition of Bach’s works, which was created between 1850-1899. Today’s “New Bach Edition” was published between 1954-2007 by Bärenreiter and has become the authoritative Bach edition. The Original Manuscript of Bach’s B Minor Mass was declared a UNESCO World Document Heritage in 2015.
Johann Sebastian Bach came from a long line of musicians, whose family dated back centuries. Four of his sons continued this tradition, also becoming composers, ending up in London and Milan. With their works, they bridge the gap between baroque and classical music.
Bärenreiter Urtext
for: Organ
Study score (Urtext edition)
Item no.: 196840
Motette für zwei vierstimmige gemischte Chöre
BÄRENREITER URTEXT
for: Orgel, Basso continuo
Stimme, Urtextausgabe
Item no.: 377889
Das Lautenwerk im Urtext 3
Spielversion für Gitarre
for: Guitar
Music score (Urtext edition)
Item no.: 292446
for: Treble recorder
Book
Item no.: 101113
Urtextausgabe ohne Fingersatz (Urtext)
for: Piano
Music score (Urtext edition)
Item no.: 493446
formerly attributed to Johann Sebastian Bach
for: Organ
Music score (Urtext edition)
Item no.: 378981
Die einzeln überlieferten Choräle
for: Organ
Music score
Item no.: 116765
Bärenreiter Urtext
for: 2 treble recorders, violin, strings, basso continuo
Score (Urtext edition)
Item no.: 289308
for Violin Solo, arranged for Alto Recorder Solo
Music for Woodwind Instruments 4
for: Treble recorder
Music score
Item no.: 179765
Urtext
for: 2 harpsichords [2 pianos]
Piano reduction (Urtext edition)
Item no.: 692285
Henle Urtext Editions
for: Piano [harpsichord]
Music score (Urtext edition)
Item no.: 778190
Nos. 1-3 BWV 825-827
for: Piano
Music score (Urtext edition)
Item no.: 379004
(Orig. h-Moll)BWV 1067
for: Treble recorder, basso continuo
Item no.: 129307
Woodwind Solo
for: Flute
Music score
Item no.: 317947
for: Harpsichord
Music score
Item no.: 1551571
Klassik
for: Piano
Music score
Item no.: 271099
Bearbeitet für Orgel manualiter
for: Organ (manuals)
Music score
Item no.: 777651
Klassik
for: Women's choir (SA), piano
Piano reduction
Item no.: 964739
from Schmelli's Hymnal for Voice and Guitar BWV 439-507
for: Voice, guitar
Music score, online media
Item no.: 769805
Klassik
for: Alto Voice and Piano
Book
Item no.: 964692
Play Music
for: Guitar
Music score, CD
Item no.: 1591579
Kantate (2. Sonntag nach Epiphanias)
for: Soloists, mixed choir, orchestra
Piano reduction
Item no.: 285397
1st Sunday after Trinity
for: 3 soloists (SAB), mixed choir (SATB), orchestra, basso continuo
Score
Item no.: 576776
Voice and Keyboard Nr. 10
for: Voice (low), piano
Book
Item no.: 355564
The Oundle Organ Series
for: Organ
Music score
Item no.: 491671
Cantata for 12th Sunday after Trinity
Urtext Stuttgarter Bach-Ausgaben
for: 4 soloists (SATB), mixed choir (SATB), orchestra, basso continuo
Piano reduction (Urtext edition)
Item no.: 684583
Kantate für den 16.Sonntag nach Trinitatis
für Soli, gem Chor, 2 Fl, 2 Vl, Va und Bc (dt/en)
Urtext
for: Mixed choir, orchestra, basso continuo
Score
Item no.: 622942
Cantata for 25th Sunday after Trinity
Urtext Stuttgarter Bach-Ausgaben
for: 4 soloists (SATB), mixed choir (SATB), orchestra, basso continuo
Score (Urtext edition)
Item no.: 550964
Cantata for the 2nd day of Pentecost
Urtext Stuttgarter Bach-Ausgaben
for: 3 soloists (ATB), mixed choir (SATB), orchestra, basso continuo
Score (Urtext edition)
Item no.: 666939
Cantata for the 1st Sunday in Advent
Urtext Stuttgarter Bach-Ausgaben
for: 4 soloists (SATB), mixed choir (SATB), orchestra, basso continuo
Score (Urtext edition)
Item no.: 663108
Cantata for the 1st Sunday in Advent
Urtext Stuttgarter Bach-Ausgaben
for: 4 soloists (SATB), mixed choir (SATB), orchestra, basso continuo
Piano reduction (Urtext edition)
Item no.: 663105
Kantate zum Sonntag Exaudi
for: 4 soloists (SATB), mixed choir (SATB), orchestra, organ
Choir score
Item no.: 660038
Cantata for the 7th Sunday after Trinity
Urtext Stuttgarter Bach-Ausgaben
Graduated prices on request
for: 4 soloists (SATB), mixed choir (SATB), orchestra, basso continuo
Choir score
Item no.: 673181
Cantata for the 23rd Sunday after Trinity
Urtext Stuttgarter Bach-Ausgaben
for: Soloist (soprano), mixed choir (SATB), orchestra, basso continuo
Piano reduction (Urtext edition)
Item no.: 673158
Cantata for the 23rd Sunday after Trinity
Urtext Stuttgarter Bach-Ausgaben
for: Soloist (soprano), mixed choir (SATB), orchestra, basso continuo
Score (Urtext edition)
Item no.: 673157
Kantate zum Trinitatisfest
Stuttgarter Bachausgabe – Urtextausgabe
for: 4 soloists (SATB), mixed choir (SATB), 2 violins, viola, bassoon, basso continuo
Score
Item no.: 672942
Cantata for the 3rd Sunday after Trinity/all occasions
Stuttgarter Bach-Ausgaben - Urtext
for: 3 soloists (STB) [SB/TB/SATB], mixed choir (SATB), orchestra, basso continuo
Piano reduction (XL format, Urtext edition)
Item no.: 684222
Cantata for 12th Sunday after Trinity
Urtext Stuttgarter Bach-Ausgaben
for: 4 soloists (SATB), mixed choir (SATB), orchestra, basso continuo
Study score (Urtext edition)
Item no.: 683154
Cantata for the 7th Sunday after Trinity
Urtext Stuttgarter Bach-Ausgaben
for: 4 soloists (SATB), mixed choir (SATB), orchestra, basso continuo
Study score (Urtext edition)
Item no.: 683060
"Christ lag in Todes Banden"
Cantata for Easter Sunday
Stuttgarter Bach-Ausgaben
for: 4 soloists (SATB), mixed choir (SATB), orchestra, basso continuo
Piano reduction
Item no.: 1681528
Cantata for funeral service / Purification of Mary.
Reconstruction Klaus Hofmann
Urtext Stuttgarter Bach-Ausgaben
for: 2 soloists (TB), mixed choir (SATB), orchestra, basso continuo
Choir score (Urtext edition)
Item no.: 1671981
Kantate zum Sonntag nach Neujahr
for: 3 soloists (SAT), mixed choir (SATB), 2 violins, viola, basso continuo
Study score (Urtext edition)
Item no.: 1667216
Cantata for the 9th Sunday after Trinity – "Tue Rechnung! Donnerwort"
Urtext Stuttgarter Bach-Ausgaben (revised edition)
for: 4 soloists (SATB), mixed choir (SATB), orchestra, basso continuo
Study score (Urtext edition)
Item no.: 1666849
Kantate zum Reformationsfest (Rekonstruktion der ersten Leipziger Fassung)
for: 4 soloists (SATB), mixed choir (SATB), chamber orchestra
Study score (Urtext edition)
Item no.: 681015
Kommt, eilet und laufet
Parodie der weltlichen Kantate "Entfliehet, verschwindet, entweichet, ihr Sorgen" BWV 249a
Stuttgarter Bach-Ausgaben (Urtext)
for: 4 soloists (SATB), mixed choir (SATB), orchestra, basso continuo
Harmony parts (complete winds)
Item no.: 234134
Kommt, eilet und laufet
Parodie der weltlichen Kantate "Entfliehet, verschwindet, entweichet, ihr Sorgen" BWV 249a
Stuttgarter Bach-Ausgaben (Urtext)
for: 4 soloists (SATB), mixed choir (SATB), orchestra, basso continuo
Choir score (Urtext edition)
Item no.: 234133
Cantata for Palm Sunday or for the feast of the Annunciation – "Himmelskönig, sei willkommen"
Version in A
Urtext Stuttgarter Bach-Ausgaben
for: 3 soloists (ATB), mixed choir (SATB), orchestra, basso continuo
Study score
Item no.: 234007
Cantata for Trinity
Urtext Stuttgarter Bach-Ausgaben
for: 3 soloists (SAB), mixed choir (SATB), orchestra, basso continuo
Piano reduction (Urtext edition)
Item no.: 233941
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