“Music owes as much to Bach as religion to its founder.” Robert Schumann
It is astounding how abundant and inexhaustible are his works. Johann Sebastian Bach (1685-1750) is more than the epitome of baroque music, and one wonders how a single person could accomplish so much in one lifetime. Show others the brilliance of Bach through Stretta!
After a number of engagements as an organist, in which he often confused more than supported parishes with his improvisational skills and harmonic experiments, in 1708, J. S. Bach was appointed Court Organist & Chamber Musician by the Duke of Saxony-Weimar. It was during this period that he composed most of his organ music. In 1714 he was promoted to Concert Master of the Court Orchestra, and one of his duties was to compose weekly cantatas for the Sunday Service, laying the foundations for the 300 or more Bach Cantatas, of which around 200 remain. For his next position, as Kapellmeister to the Prince of Anhalt-Köthen from 1717, Bach’s role no longer required him to compose sacred music, so it was here that many of any his instrumental works were developed, including The Brandenburg Concertos.
With his last role as Cantor of St. Thomas in 1723, Bach held his first and only official position working for the city, the city of Leipzig. He was responsible for the music at the four main churches in Leipzig, and he taught at St. Thomas’ Boarding School. The St. Thomas’ Boys’ Choir is still one of the most important, and traditional boys’ choirs in the world today. In his final years, despite his steadily declining sight, Bach still created works that are the sum, and pinnacle of counterpoint, such as The Musical Sacrifice or the The Art of Fugue.
As was common in the 18th century, Bach’s works were quickly forgotten after his death. People were only concerned with new music. It was Bach’s sons, and his successors at St Thomas’, who preserved his memory. Composers of the First Viennese School, like Wolfgang Amadeus Mozart and Ludwig van Beethoven, especially admired Bach’s counterpoint, and learned a great deal from him. In the 19th century Bach Renaissance, the St. Matthew Passion was famously rediscovered, and performed in Berlin in 1829 by Felix Mendelssohn-Bartholdy. Another important milestone was the first complete edition of Bach’s works, which was created between 1850-1899. Today’s “New Bach Edition” was published between 1954-2007 by Bärenreiter and has become the authoritative Bach edition. The Original Manuscript of Bach’s B Minor Mass was declared a UNESCO World Document Heritage in 2015.
Johann Sebastian Bach came from a long line of musicians, whose family dated back centuries. Four of his sons continued this tradition, also becoming composers, ending up in London and Milan. With their works, they bridge the gap between baroque and classical music.
formerly ascribed to Johann Sebastia Bach
Bärenreiter Urtext
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for: Organ
Music score (Urtext edition)
Item no.: 117317
Part 1: BWV 846-869
Henle Urtext Edition
for: Piano [harpsichord]
Music score (Urtext edition)
Item no.: 401105
for: Cello
Music score (Urtext edition)
Item no.: 1582653
BWV 988
für Streichtrio
for: Violin, viola, cello (string trio)
Study score
Item no.: 111892
Bärenreiter Urtext
for: Organ
Music score (Urtext edition)
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Urtext Primo – A new concept for the beginner
Edition with German and English Commentary
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Music score (Urtext edition, anthology)
Item no.: 498364
Bärenreiter Urtext
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Music score (Urtext edition)
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arranged for Viola solo
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Music score
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Urtext from the New Bach Edition – Revised (NBArev)
for: Violin
Music score (Urtext edition)
Item no.: 773593
Aria mit verschiedenen Veränderungen BWV 988
for: Violin, viola, cello (string trio)
Set of parts
Item no.: 283258
Bärenreiter Urtext
for: Flute
Music score (Urtext edition)
Item no.: 116361
Transcriptions for piano four hands
for: Piano 4 hands
Ensemble score
Item no.: 563496
BWV 244
Bärenreiter Urtext
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Piano reduction (Urtext edition)
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Nach dem Autograf und Abschriften
Wiener Urtext Edition
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Music score
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Sonatas / Trios / Concertos
Breitkopf Urtext Edition
for: Organ
Music score (Urtext edition), online media
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aus der Geburtstagskantate BWV 208
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Single edition
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Edited from the autograph and manuscript copies
Wiener Urtext Edition
for: Piano
Music score (Urtext edition)
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From Organ Sonata No. 4 E minor
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Music score
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Bearbeitung für Klavier zu 4 Händen
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Prüfungsliteratur
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Book
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BWV 245
Bärenreiter Urtext
for: 4 soloists (SATB), mixed choir (SATB), orchestra, basso continuo
Piano reduction (Urtext edition)
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Preludes and Fugues I
Breitkopf Urtext Edition
You will find supplementary material online
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adapted for Great Organ
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Bärenreiter Urtext
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Bärenreiter Urtext
with Fingerings
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Including Suite de Clavecin by Christian Petzold
Wiener Urtext Edition
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and 69 Chorale Melodies with figured bass
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Music score
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For Alto Recorder & Keyboard
Volume II: Sonatas 3-4
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Piano score, solo part
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with fingering
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Music score (Urtext edition)
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Suite BWV 997
BWV 997
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for: Treble recorder, basso continuo
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Urtext Edition without fingering
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Bärenreiter Urtext
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Music score (Urtext edition)
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Joh. Seb. Bach - Inventionen und Sinfonien BWV 772-801
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Ensemble score
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24 Preludes and Fugues BWV 846–869
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Music score (Urtext edition)
Item no.: 379244
without fingering
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Music score (Urtext edition)
Item no.: 664942
from Cantata 208: Was mir behagt
Symphonic Transcrption
for: Chamber orchestra
Score
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24 Präludien und Fugen BWV 870-893
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Music score (Urtext edition)
Item no.: 379246
Übertragung für Viola solo
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Music score
Item no.: 228730
Sechs Sonaten und verschiedene Einzelwerke
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Music score (Urtext edition)
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Festliche Musik zur Hochzeit für Orgel solo 7
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bearbeitet für Cembalo
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Music score
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(Urtext)
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for: 2 pianos 8 hands
Music score
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BWV 870-893
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Music score (Urtext edition)
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Classics for Saxophone
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Eulenburg Studienpartituren
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Study score
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Stuttgarter Bach-Ausgaben
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Score (Urtext edition)
Item no.: 374559