“Music owes as much to Bach as religion to its founder.” Robert Schumann
It is astounding how abundant and inexhaustible are his works. Johann Sebastian Bach (1685-1750) is more than the epitome of baroque music, and one wonders how a single person could accomplish so much in one lifetime. Show others the brilliance of Bach through Stretta!
After a number of engagements as an organist, in which he often confused more than supported parishes with his improvisational skills and harmonic experiments, in 1708, J. S. Bach was appointed Court Organist & Chamber Musician by the Duke of Saxony-Weimar. It was during this period that he composed most of his organ music. In 1714 he was promoted to Concert Master of the Court Orchestra, and one of his duties was to compose weekly cantatas for the Sunday Service, laying the foundations for the 300 or more Bach Cantatas, of which around 200 remain. For his next position, as Kapellmeister to the Prince of Anhalt-Köthen from 1717, Bach’s role no longer required him to compose sacred music, so it was here that many of any his instrumental works were developed, including The Brandenburg Concertos.
With his last role as Cantor of St. Thomas in 1723, Bach held his first and only official position working for the city, the city of Leipzig. He was responsible for the music at the four main churches in Leipzig, and he taught at St. Thomas’ Boarding School. The St. Thomas’ Boys’ Choir is still one of the most important, and traditional boys’ choirs in the world today. In his final years, despite his steadily declining sight, Bach still created works that are the sum, and pinnacle of counterpoint, such as The Musical Sacrifice or the The Art of Fugue.
As was common in the 18th century, Bach’s works were quickly forgotten after his death. People were only concerned with new music. It was Bach’s sons, and his successors at St Thomas’, who preserved his memory. Composers of the First Viennese School, like Wolfgang Amadeus Mozart and Ludwig van Beethoven, especially admired Bach’s counterpoint, and learned a great deal from him. In the 19th century Bach Renaissance, the St. Matthew Passion was famously rediscovered, and performed in Berlin in 1829 by Felix Mendelssohn-Bartholdy. Another important milestone was the first complete edition of Bach’s works, which was created between 1850-1899. Today’s “New Bach Edition” was published between 1954-2007 by Bärenreiter and has become the authoritative Bach edition. The Original Manuscript of Bach’s B Minor Mass was declared a UNESCO World Document Heritage in 2015.
Johann Sebastian Bach came from a long line of musicians, whose family dated back centuries. Four of his sons continued this tradition, also becoming composers, ending up in London and Milan. With their works, they bridge the gap between baroque and classical music.
for: Mixed choir a cappella
Choir score
Item no.: 146933
Partitur
for: CHORMUSIK MÄNNERCHOR A CAPPELLA WELTLICH EINZELN
Score
Item no.: 1592646
for: Mixed choir (SATB) a cappella
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for: Mixed choir (SATB) a cappella
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aus: Matthäuspassion
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aus: Matthäuspassion
for: Mixed choir (SATB) a cappella
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Partitur
for: Mixed choir a cappella
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Item no.: 1592547
for: Chor SSAM
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Item no.: 1339418
aus: Sehet, welch eine Liebe
for: Mixed choir (SATB) a cappella
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Item no.: 1340378
for: Mixed choir (SATB) a cappella
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Item no.: 1340080
for: Mixed choir a cappella
Item no.: 387944
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Item no.: 388069
aus "Gott ist unsere Zuversicht" ("Trauungskantate")
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Item no.: 1340047
In dulci jubilo
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Item no.: 1339494
for: Gemischter Chor (SATB), Hörner (2)
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Item no.: 1339949
for: Mixed choir (SATB) a cappella
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Item no.: 1338441
für Frauenchor a cappella
Partitur
for: CHORMUSIK FRAUEN- + KINDERCHOR A CAPPELLA WELTLICH EINZELN
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Item no.: 1592711
aus: Weihnachtsoratorium
Ermuntre dich, mein schwacher Geist
for: Mixed choir (SATB) a cappella
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Item no.: 1339542
for: Mixed choir (SATB) a cappella
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Item no.: 1340366
Christus, du bist der helle Tag
for: Mixed choir (SATB) a cappella
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Item no.: 1340038
aus: Choralgesänge (hrsg. von C. P. E. Bach)
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Item no.: 1339504
aus: Wer nur den lieben Gott läßt walten
for: Mixed choir (SATB) a cappella
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Item no.: 1339999
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Item no.: 1339518
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Item no.: 1339491
for: Mixed choir (SATB); organ ad lib.
Choir score
Item no.: 346092
Lobet Gott, unsern Herren
for: Mixed choir (SATB) a cappella
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Item no.: 1340407
aus: Schwingt freudig euch empor
for: Mixed choir (SATB) a cappella
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Item no.: 1340347
for: Mixed choir (SATB) a cappella
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Item no.: 1339302
for: Mixed choir (SATB), strings, basso continuo
Single part Basso continuo
Item no.: 274007
aus: Ich will den Kreuzstab gerne tragen
for: Mixed choir (SATB) a cappella
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Item no.: 1340007
for: Mixed choir (SATB) a cappella
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Item no.: 1340005
Sanctus
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Item no.: 1338367
In dulci jubilo
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aus: Jesu, meine Freude
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for: Mixed choir (SATB) a cappella
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aus: Choralgesänge (hrsg. von C. P. E. Bach)
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Item no.: 387934
aus: Lobe den Herren, den mächtigen König der Ehren
for: Mixed choir (SATB) a cappella
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Item no.: 1338433
aus: Schwingt freudig euch empor
for: Mixed choir (SATB) a cappella
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Item no.: 1339464
aus: Matthäuspassion
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Item no.: 1339407
Schlusschoral der Kantate "Süßer Trost, mein Jesus kömmt"
for: Mixed choir (SATB) a cappella
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Item no.: 1340147
for: Mixed choir (SATB) a cappella
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Item no.: 1340410
for: Mixed choir (SATB), strings, basso continuo
Viola (orchestral part)
Item no.: 274006
for: Mixed choir (SATB) a cappella
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Item no.: 1338428
for: Mixed choir (SATB), strings, basso continuo
Single part(n)
Item no.: 274004
aus: Herr Gott, dich loben alle wir
for: Gemischter Chor (SATB), Trompeten (3), Pauke
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Item no.: 1340311