“Music owes as much to Bach as religion to its founder.” Robert Schumann
It is astounding how abundant and inexhaustible are his works. Johann Sebastian Bach (1685-1750) is more than the epitome of baroque music, and one wonders how a single person could accomplish so much in one lifetime. Show others the brilliance of Bach through Stretta!
After a number of engagements as an organist, in which he often confused more than supported parishes with his improvisational skills and harmonic experiments, in 1708, J. S. Bach was appointed Court Organist & Chamber Musician by the Duke of Saxony-Weimar. It was during this period that he composed most of his organ music. In 1714 he was promoted to Concert Master of the Court Orchestra, and one of his duties was to compose weekly cantatas for the Sunday Service, laying the foundations for the 300 or more Bach Cantatas, of which around 200 remain. For his next position, as Kapellmeister to the Prince of Anhalt-Köthen from 1717, Bach’s role no longer required him to compose sacred music, so it was here that many of any his instrumental works were developed, including The Brandenburg Concertos.
With his last role as Cantor of St. Thomas in 1723, Bach held his first and only official position working for the city, the city of Leipzig. He was responsible for the music at the four main churches in Leipzig, and he taught at St. Thomas’ Boarding School. The St. Thomas’ Boys’ Choir is still one of the most important, and traditional boys’ choirs in the world today. In his final years, despite his steadily declining sight, Bach still created works that are the sum, and pinnacle of counterpoint, such as The Musical Sacrifice or the The Art of Fugue.
As was common in the 18th century, Bach’s works were quickly forgotten after his death. People were only concerned with new music. It was Bach’s sons, and his successors at St Thomas’, who preserved his memory. Composers of the First Viennese School, like Wolfgang Amadeus Mozart and Ludwig van Beethoven, especially admired Bach’s counterpoint, and learned a great deal from him. In the 19th century Bach Renaissance, the St. Matthew Passion was famously rediscovered, and performed in Berlin in 1829 by Felix Mendelssohn-Bartholdy. Another important milestone was the first complete edition of Bach’s works, which was created between 1850-1899. Today’s “New Bach Edition” was published between 1954-2007 by Bärenreiter and has become the authoritative Bach edition. The Original Manuscript of Bach’s B Minor Mass was declared a UNESCO World Document Heritage in 2015.
Johann Sebastian Bach came from a long line of musicians, whose family dated back centuries. Four of his sons continued this tradition, also becoming composers, ending up in London and Milan. With their works, they bridge the gap between baroque and classical music.
Stuttgarter Bach-Ausgaben · Urtext
for: 4 soloists (SATB), mixed choir (SATB), 2 violins, viola, bassoon, basso continuo
Choir score (Urtext edition)
Item no.: 233891
for: Saxophone ensemble
Score, Parts
Item no.: 819427
Cantata for Easter Sunday
Urtext Stuttgarter Bach-Ausgaben
for: 3 soloists (STB), mixed choir (SSATB), orchestra, basso continuo
Study score (Urtext edition)
Item no.: 264391
Your Favorite Classics
for: Concert band
Score, Parts
Item no.: 881152
Church Music Society
for: Mixed choir (SATB), organ
Score
Item no.: 628317
Cantata for the 1st Sunday after Trinity
for: 4 soloists (SATB), mixed choir (SATB), orchestra, basso continuo
Score (Urtext edition)
Item no.: 233240
Cantata for Reformation Day
Scripture Ps 84
for: 3 soloists (SAB), mixed choir (SATB), orchestra
Study score
Item no.: 282013
Der Musikforscher Malcolm Bruno erstellte auf Basis der inzwischen als Parodievorlage etablierten Trauerode BWV 198 eine neue Rekonstruktion des Werks
for: Narrator, 4 solo voices (SATB), mixed choir (SATB), baroque orchestra
Piano reduction
Item no.: 689659
for: Solo voices, mixed choir, baroque orchestra
Choir score
Item no.: 931325
for: 3 soloists (ATB), mixed choir (SATB), orchestra
Choir score
Item no.: 930760
with an introduction to each piece (English, French, Italian)
for: Piano
Music score
Item no.: 464012
Klassik
for: Women's Choir [SSA] and Piano or Organ
Piano reduction
Item no.: 579130
Bärenreiter Urtext
for: 4 soloists (SATB), mixed choir (SATB), orchestra, basso continuo
Choir part Alto
Item no.: 373396
BWV 846-853
bearbeitet und erläutert für das Studium der modernen Klaviertechnik
Busoni-Ausgabe
for: Piano
Music score
Item no.: 285288
am Palmsonntag oder am Fest Mariae Verkündigung
Piano reduction
Item no.: 155416
Cantata for the Feast of John the Baptist
Urtext Stuttgarter Bach-Ausgaben
for: 4 soloists (SATB), mixed choir (SATB), orchestra, basso continuo
Piano reduction (Urtext edition)
Item no.: 622963
Choral Nr. 6 und Nr. 10 der Kantate BWV 147 "Herz und Mund und Tat und Leben"
Orgelpartitur für eine Aufführung ohne Orchester
for: Mixed choir (SATB), 2 violins, viola, basso continuo; oboe ad lib.
Organ score
Item no.: 279254
Passio secundum Joannem BWV 245 - Urtext Stuttgarter Bach-Ausgaben
Fassung II (1725)
for: 5 soloists (SATBB), mixed choir (SATB), orchestra
Piano reduction
Item no.: 426010
Hal Leonard Solo and Ensemble
for: Violin
Music score
Item no.: 815030
with German-English parallel text for the librettos
Book (Hardcover)
Item no.: 780422
Reconstruction by Klaus Hofmann
for: 4 soloists (SATB), mixed choir (SATB), orchestra, basso continuo
Set of parts
Item no.: 1316883
Choral Nr. 6 und Nr. 10 der Kantate BWV 147 "Herz und Mund und Tat und Leben"
for: Mixed choir (SATB), 2 violins, viola, basso continuo; oboe ad lib.
Choir score
Item no.: 158562
Kantate (1. Pfingstfesttag, Pfingstsonntag)
for: 3 soloists (ATB), mixed choir (SATB), orchestra, basso continuo
Piano reduction
Item no.: 285428
Es erhub sich ein Streit
Cantata at St Michael and All Angels
for: 3 soloists (STB), mixed choir (SATB), orchestra, basso continuo
Piano reduction (Urtext edition)
Item no.: 285413
Kantate zum Ratswechsel
für Soli (SATB), gemischten Chor (SATB), Orchester und Basso continuo
for: 4 soloists (SATB), mixed choir (SATB), orchestra, basso continuo
Piano reduction
Item no.: 642736
Cantata for Ascension
Urtext Stuttgarter Bach-Ausgaben
for: 4 soloists (SATB), mixed choir (SATB), orchestra, basso continuo
Piano reduction (Urtext edition)
Item no.: 357202
"Christ lag in Todes Banden"
Cantata for Easter Sunday
Stuttgarter Bach-Ausgaben
for: 4 soloists (SATB), mixed choir (SATB), orchestra, basso continuo
Piano reduction
Item no.: 232735
1st Sunday after Trinity
for: 3 soloists (SAB), mixed choir (SATB), orchestra, basso continuo
Piano reduction
Item no.: 285433
Cantata for 12th Sunday after Trinity
Urtext Stuttgarter Bach-Ausgaben
for: 4 soloists (SATB), mixed choir (SATB), orchestra, basso continuo
Score (Urtext edition)
Item no.: 684582
Cantata for the Feast of Visitation B. V. M.
Bärenreiter Urtext
for: 4 soloists (SATB), mixed choir (SATB), orchestra, basso continuo
Piano reduction (Urtext edition)
Item no.: 137089
(Urtext)
for: Soloists, 2 mixed choirs (SATB, SATB), orchestra
Choir part Bass 1,2
Item no.: 209771
Six Short Chorale Preludes
for: Organ
Music score
Item no.: 971668
Bm
for: Violin, Cello, Viola
String Quartet
Item no.: 1638523
Cantata N° 80
First Leipzig Version, Reconstruction
for: 4 soloists (SATB), mixed choir (SATB), chamber orchestra
Piano reduction
Item no.: 667180
Cantata for the 13th Sunday after Trinity – Allein zu dir, Herr Jesu Christ
Urtext Stuttgarter Bach-Ausgaben
for: 3 soloists (ATB), mixed choir (SATB), orchestra, basso continuo
Study score (Urtext edition)
Item no.: 556143
Cantata for funeral service / Purification of Mary.
Reconstruction Klaus Hofmann
Urtext Stuttgarter Bach-Ausgaben
for: 2 soloists (TB), mixed choir (SATB), orchestra, basso continuo
Choir score (Urtext edition)
Item no.: 233915
Kantate zum 2. Sonntag nach Epiphanias
Urtext Stuttgarter Bach-Ausgaben
for: 4 soloists (SATB), mixed choir (SATB), 2 violins, viola, bassoon, basso continuo
Piano reduction
Item no.: 233905
Kantate zum Reformationsfest (Rekonstruktion der ersten Leipziger Fassung)
möglich!
for: 4 soloists (SATB), mixed choir (SATB), chamber orchestra
Choir score
Item no.: 681159
Cantata for the 2nd Sunday after Epiphany – "Mein Gott, wie lang, ach lange"
Urtext Stuttgarter Bach-Ausgaben (revised edition)
for: 4 soloists (SATB), mixed choir (SATB), 2 violins, viola, bassoon, basso continuo
Study score (Urtext edition)
Item no.: 681137
Cantata for the 3rd Sunday in Advent (Reconstruction)
Stuttgarter Bach-Ausgaben
for: 4 soloists (SATB), mixed choir (SATB), orchestra, basso continuo
Piano reduction
Item no.: 675044
Cantata for a wedding
Urtext Stuttgarter Bach-Ausgaben
for: 3 soloists (SAB), mixed choir (SATB), orchestra, basso continuo
Study score (Urtext edition)
Item no.: 683066
Hunting Cantata
for: 4 soloists (SSTB), mixed choir (SATB), orchestra, basso continuo
Choir score (Urtext edition)
Item no.: 797987
Cantata for the 6th Sunday after Trinity
Urtext Stuttgarter Bach-Ausgaben
for: Solo voice (alto), organ (obl.), orchestra, basso continuo
Score (Urtext edition)
Item no.: 605246
Cantata for the 1st Sunday after Easter
Stuttgarter Bach-Ausgaben Urtext
for: 4 soloists (SATB), mixed choir (SATB), orchestra, basso continuo
Score (Urtext edition)
Item no.: 616056
Motette
Stuttgarter Bach-Ausgaben - Urtext
for: 2 mixed choirs (SATB, SATB); basso continuo ad lib.
Score
Item no.: 279223
"Christ lag in Todes Banden"
Cantata for Easter Sunday
Stuttgarter Bach-Ausgaben
for: 4 soloists (SATB), mixed choir (SATB), orchestra, basso continuo
Study score
Item no.: 232737
Cantata for the Sunday of Septuagesimae
Urtext Stuttgarter Bach-Ausgaben
for: 4 soloists (SATB), mixed choir (SATB), orchestra, basso continuo
Study score
Item no.: 233455
Cantata for the Sunday after New Year
Urtext Stuttgarter Bach-Ausgaben
for: 2 voices (SB), orchestra, basso continuo
Piano reduction (Urtext edition)
Item no.: 233001
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