“Music owes as much to Bach as religion to its founder.” Robert Schumann
It is astounding how abundant and inexhaustible are his works. Johann Sebastian Bach (1685-1750) is more than the epitome of baroque music, and one wonders how a single person could accomplish so much in one lifetime. Show others the brilliance of Bach through Stretta!
After a number of engagements as an organist, in which he often confused more than supported parishes with his improvisational skills and harmonic experiments, in 1708, J. S. Bach was appointed Court Organist & Chamber Musician by the Duke of Saxony-Weimar. It was during this period that he composed most of his organ music. In 1714 he was promoted to Concert Master of the Court Orchestra, and one of his duties was to compose weekly cantatas for the Sunday Service, laying the foundations for the 300 or more Bach Cantatas, of which around 200 remain. For his next position, as Kapellmeister to the Prince of Anhalt-Köthen from 1717, Bach’s role no longer required him to compose sacred music, so it was here that many of any his instrumental works were developed, including The Brandenburg Concertos.
With his last role as Cantor of St. Thomas in 1723, Bach held his first and only official position working for the city, the city of Leipzig. He was responsible for the music at the four main churches in Leipzig, and he taught at St. Thomas’ Boarding School. The St. Thomas’ Boys’ Choir is still one of the most important, and traditional boys’ choirs in the world today. In his final years, despite his steadily declining sight, Bach still created works that are the sum, and pinnacle of counterpoint, such as The Musical Sacrifice or the The Art of Fugue.
As was common in the 18th century, Bach’s works were quickly forgotten after his death. People were only concerned with new music. It was Bach’s sons, and his successors at St Thomas’, who preserved his memory. Composers of the First Viennese School, like Wolfgang Amadeus Mozart and Ludwig van Beethoven, especially admired Bach’s counterpoint, and learned a great deal from him. In the 19th century Bach Renaissance, the St. Matthew Passion was famously rediscovered, and performed in Berlin in 1829 by Felix Mendelssohn-Bartholdy. Another important milestone was the first complete edition of Bach’s works, which was created between 1850-1899. Today’s “New Bach Edition” was published between 1954-2007 by Bärenreiter and has become the authoritative Bach edition. The Original Manuscript of Bach’s B Minor Mass was declared a UNESCO World Document Heritage in 2015.
Johann Sebastian Bach came from a long line of musicians, whose family dated back centuries. Four of his sons continued this tradition, also becoming composers, ending up in London and Milan. With their works, they bridge the gap between baroque and classical music.
for: Soloists, mixed choir, orchestra
Choir score
Item no.: 378214
Wie schön leuchtet der Morgenstern
for: 3 soloists (STB), mixed choir (SATB), orchestra, basso continuo
Score
Item no.: 376086
Feast of the Annunciation
Urtext Stuttgarter Bach-Ausgaben
for: 3 soloists (STB), mixed choir (SATB), orchestra, basso continuo
Violin 2 (orchestral part)
Item no.: 232698
for: Accordion orchestra
Score
Item no.: 253017
Cantata for the 27th Sunday after Trinity
Bärenreiter Urtext
for: 3 soloists (STB), mixed choir (SATB), orchestra, basso continuo
Cello [Basso continuo] (orchestral part)
Item no.: 293209
Cantatas IV–VI
for: 5 soloists (SSATB), mixed choir (SATB), orchestra, basso continuo
Violin 2 (orchestral part)
Item no.: 1215621
Harmonia-Mixed Choir
for: Voice (soprano)
Einzelstimme
Item no.: 904116
Uns ist ein Kind geboren
zum 1. Weihnachtsfesttag
for: Symphonic orchestra
Violin 2 (orchestral part)
Item no.: 214032
Bärenreiter Urtext
for: 4 soloists (SATB), mixed choir (SSATB), orchestra, basso continuo
Single part Organ
Item no.: 247135
Professional Keyboard Arrangement~Mega Pop Classic 3
for: Keyboard
Item no.: 551819
Kantate zum Sonntag Estomihi
Harmoniestimmen
for: 4 soloists (SATB), mixed choir (SATB), chamber orchestra
Harmony parts (complete winds)
Item no.: 233932
Cantata for the 2nd day of Christmas
Urtext Stuttgarter Bach-Ausgaben
for: 3 soloists (ATB), mixed choir, orchestra, basso continuo
Cello, double bass (orchestral part)
Item no.: 232959
Kantate zum 1. Weihnachtstag
Urtext Stuttgarter Bach-Ausgaben
for: 2 soloists (ST), mixed choir (SSATB), orchestra, basso continuo
Single part Organ
Item no.: 680143
Kantate zum 2. Weihnachtstag
Urtext Stuttgarter Bach-Ausgaben (revidiert 2017)
for: 4 soloists (SATB), mixed choir (SATB), orchestra, basso continuo
Harmony parts (complete winds)
Item no.: 679023
Bärenreiter Urtext
for: 4 soloists (SATB), mixed choir (SATB), orchestra, organ
Violin 2 (orchestral part)
Item no.: 210130
Ich freue mich in dir
for: Symphonic orchestra
Cello, double bass (orchestral part)
Item no.: 171756
Harmonia-Mixed Choir
for: Mixed choir (SATB); piano ad lib.
Choir score
Item no.: 906048
Piano reduction
Item no.: 342695
Cantata for the 27th Sunday after Trinity
Bärenreiter Urtext
for: 3 soloists (STB), mixed choir (SATB), orchestra, basso continuo
Violino piccolo (orchestral part)
Item no.: 762465
Score
Item no.: 672625
Arie aus der Weihnachtskantate "Ehre sei Gott in der Höhe"
Stimmensatz (komplett)
for: Voice (alto), chamber ensemble
Set of parts
Item no.: 681158
Cantata for the 2nd day of Christmas
Urtext Stuttgarter Bach-Ausgaben
for: 3 soloists (ATB), mixed choir, orchestra, basso continuo
Set of parts
Item no.: 797078
for: 4 soloists (SATB), mixed choir (SATB), orchestra, basso continuo
Harmony parts (complete winds)
Item no.: 362091
Cantata for the Feast of Annunciation Day
Bärenreiter Urtext
for: 3 soloists (STB), mixed choir (SATB), orchestra, basso continuo
Cello, double bass (orchestral part)
Item no.: 385524
BWV 248 - Aria No. 41
for: 2 violins, viola, cello (string quartet)
Score, Parts
Item no.: 1053414
Weihnachtsoratorium (Urtextausgabe) (Urtext)
for: 4 soloists (SATB), mixed choir (SATB), orchestra, organ
Violin 1 (orchestral part)
Item no.: 158231
Weihnachtsoratorium (Urtextausgabe) (Urtext)
for: 4 soloists (SATB), mixed choir (SATB), orchestra, organ
Violin 2 (orchestral part)
Item no.: 187742
Cantata for the 3rd day of Christmas
E minor
for: 3 soloists (SAB), mixed choir (SATB), orchestra, basso continuo
Violin 1 (orchestral part)
Item no.: 233081
for: Mixed choir a cappella
Choir score
Item no.: 663551
Ich freue mich in dir
for: Symphonic orchestra
Violin 2 (orchestral part)
Item no.: 171753
BWV 36 / 140 /172
for: Mixed choir (SATB), basso continuo
Score
Item no.: 119167
for: 4 recorders (SATB quartet)
Treble recorder (single part)
Item no.: 664890
Organ reduction
Item no.: 341619
Cantatas IV–VI
for: 5 soloists (SSATB), mixed choir (SATB), orchestra, basso continuo
Cello, double bass (orchestral part)
Item no.: 579650
for: Mixed choir (SATB), organ
Item no.: 565445
am zweiten Weihnachtstag
for: Symphonic orchestra
Viola (orchestral part)
Item no.: 217617
aus: Uns ist ein Kind geboren
Kantate wird als nicht von Bach stammend betrachtet.
for: Voice, 2 recorders, organ; cello ad lib.
Score
Item no.: 423490
Feast of the Annunciation
Urtext Stuttgarter Bach-Ausgaben
for: 3 soloists (STB), mixed choir (SATB), orchestra, basso continuo
Single part violin 2 solo
Item no.: 232696
Arie aus dem Weihnachtsoratorium BWV 248
for: Piccolo trumpet, organ
Score, Parts
Item no.: 1018884
for: Soloists, mixed choir (SATB), orchestra, organ
Score
Item no.: 446106
for: Symphonic orchestra
Single part Organ
Item no.: 314163
Uns ist ein Kind geboren
zum 1. Weihnachtsfesttag
Violin 1 (orchestral part)
Item no.: 214031
Choralvorspielfragment
for: Organ
Single part Organ
Item no.: 300032
BWV 197a - 197,1
for: 4 soloists (SATB), mixed choir (SATB), orchestra, basso continuo
Set of parts
Item no.: 1551786
Cantata for the Sunday after Christmas
Urtext Stuttgarter Bach-Ausgaben
for: 2 voices (SB), descant (soprano) recorder, oboe, viola d'amore, viola da gamba, basso continuo
Set of parts
Item no.: 642162
Cantata for the Sunday after Christmas
Urtext Stuttgarter Bach-Ausgaben
for: 4 soloists (SATB), mixed choir (SATB), 3 recorders, 2 oboes, cor anglais, 2 violins, viola, basso continuo, organ
Harmony parts (complete winds)
Item no.: 499162
Cantata for the Sunday after Christmas
Urtext Stuttgarter Bach-Ausgaben
for: 4 soloists (SATB), mixed choir (SATB), 3 recorders, 2 oboes, cor anglais, 2 violins, viola, basso continuo, organ
Choir score (Urtext edition)
Item no.: 499160
Cantata for the 3rd day of Christmas
E minor
for: 3 soloists (SAB), mixed choir (SATB), orchestra, basso continuo
Set of parts
Item no.: 766822