Percy Grainger (1882-1961) was an Australian-born composer, conductor and concert pianist, who spent his life trying to re-invent the way music was written, viewed and performed. Browse our sheet music and scores, and explore for yourself all his wonderful works today!
Grainger was born in Brighton, near Melbourne, and was home-schooled by his mother for most of his childhood. He began studying the piano at the age of 10, and immediately showed remarkable talent. At the age of 13, he and his mother moved to Frankfurt, so he could study at the Hoch Conservatoire.
After maturing as a musician and a performer, Grainger moved to London, and became more and more sought after as a pianist. He had a fascination for Scandinavian music, and was greatly influenced by Edvard Grieg, who was a lifelong friend and mentor. Grainger dedicated himself to collecting folk music, firstly in the UK, and then Norway and eventually from all around the world.
Due to his overwhelming desire to be the first Australian composer of great worth, when the first world war hit, Grainger moved to the USA. He joined the U.S Army in 1917, and served as a bandsman, playing the saxophone. He became an American citizen in 1918, and the USA was his home for the rest of his life. He toured Europe and Australasia as a concert pianist and accompanist many, many times, he recorded with many record labels (most consistently with Colombia Records), and he never lost sight of his goal to champion Australian Music.
After a lifelong struggle to compose new and innovative works, alongside his folk music arrangements, and a critically acclaimed career as a concert pianist, when the second world war began, Grainger left his New York home, and moved to Springfield, Missouri. He feared that the fighting might hit the East Coast, and he hadn’t achieved his goal of becoming the world’s first internationally renowned, and unequivocally great Australian composer. During the war, he played many charity concerts, to help boost moral.
Grainger’s wish to create new musical forms, and to stretch the boundaries of classical composition, led him to write in many styles, using many techniques. He never conformed to classical structures, and rarely used traditional instrumentation. He was the first aleatoric composer, leaving elements of choice in his scores for the performers, and he tried to create a type of “free music” which did not have regular time signatures, or traditional structures.
As he became more and more frustrated with the lack of progress in his exploration of new musical forms, and his growing feeling that he would never reach his goals as a composer, he began to focus more and more on his work with a young physics teacher, Burnett Cross, to try to invent instruments first mechanically, and later electronically, which could play his “free music”. These “free music machines” were only ever rather limited, and Grainger became more and more depressed, not only by the lack of success in these endeavours, but also in the decline of his piano playing.
One source of joy for Grainger, was his work on military music. His experiences in the USA during both world wars led him to be a great advocate for Wind Ensemble and Brass music, and he wrote a great wealth of repertoire for Concert Band, Brass Band and Marching Band. These range from folk-song arrangements, to original compositions.
As a highly intelligent and eccentric man, Grainger spent many trips to Australia building the Grainger Museum, in the grounds of the University of Melbourne, which he hoped would be an honest and thorough account of his life and work. Despite the museum never being open to the public in his lifetime (only private viewings), it has been restored and is open to the public today.
His life-long search for folk-music is undoubtedly his greatest legacy, and towards the end of his life, he was awarded the St. Olav Medal of Norway for his service to the works of Grieg, and Norwegian Music.
Grainger died in White Plains, New York in 1961, and despite a long and turbulent career as a concert pianist, recording artist, composer, and innovator, he is remembered fondly for his eccentricity and for his wonderful folk music arrangements.
for: Concert band
Single part Percussion
Item no.: 782160
for: Concert band
Einzelstimme Tuba
Item no.: 782161
for: Concert band
Einzelstimme Euphonium
Item no.: 782217
for: Concert band
Einzelstimme Bariton
Item no.: 782162
for: Concert band
Einzelstimme Posaune I und II
Item no.: 794089
for: Concert band
Einzelstimme Piccolo
Item no.: 782218
for: Concert band
Einzelstimme Trompete III in B
Item no.: 783480
for: Concert band
Einzelstimme Side Drum
Item no.: 782216
for: Concert band
Single part Cor anglais
Item no.: 783482
for: Concert band
Einzelstimme Horn I und II
Item no.: 752209
for: Concert band
Einzelstimme Sopran-Saxophon I
Item no.: 782164
for: Concert band
Single part Clarinet 1 (B-flat)
Item no.: 794289
for: Concert band
Einzelstimme Fagott I und II
Item no.: 794197
for: Concert band
Single part Oboe
Item no.: 782159
for: Concert band
Einzelstimme Bariton-Saxophon
Item no.: 782163
"Angelus ad virginem"
for: 3 Singstimmen oder Chöre (SMezA/TBarB) oder 6stg. Chor (SMezATBarB); Orgel ad libitum
Choir score
Item no.: 782213
for: Choir
Choir score
Item no.: 782449
for: Concert band
Einzelstimme Horn III und IV
Item no.: 783481
for: 3 recorders (SAT), piano
Single part descant recorder
Item no.: 784342
for low or medium voice and piano
for: Voice, piano
Music score
Item no.: 784139
for: 3 recorders (SAT), piano
Treble recorder (single part)
Item no.: 784343
Shanty
for: Männerchor (Bar) und Klavier
Score
Item no.: 748875
for: 3 recorders (SAT), piano
Single part Tenor recorder
Item no.: 784344
No. 6 from Kipling Settings
for: Bariton, Männerchor (oder 4 Männerstimmen) und Klavier
Choir score
Item no.: 784138
for solo tenor and mixed choir
for: Tenor solo und gemischter Chor a cappella
Choir score
Item no.: 782493
for voice and piano, low key
for: Voice (low), piano
Music score
Item no.: 784137
for medium voice and piano
for: Voice (medium), piano
Music score
Item no.: 784172
for: gemischter Chor und Blechblasinstrumente
Choir score
Item no.: 729172
for voice and piano, high key (original version)
for: Voice (high), piano
Music score
Item no.: 784136
Handkerchief Dance
for: Piano
Noten Original-Ausgabe
Item no.: 748742
"Ther's a conrict"
for: Männerchor (ATTBarBB)
Choir score
Item no.: 735158
Handkerchief Dance
for: Piano
Noten vereinfachte Version
Item no.: 748743
No. 30 Ye Banks and Braes o' Bonnie Doon
for: Mixed choir a cappella
Score
Item no.: 782094
No. 4 from British Folk-Music Settings
for: Piano
Noten erleichterte Fassung
Item no.: 748747
No. 1 from Kipling Settings
for: hohe Männerstimme (Tenor) und Klavier
Music score
Item no.: 784140
Edition Schott
for: Violin, piano
Music score
Item no.: 782085
No. 5 Irish Tune from County Derry
for: gemischter Chor (SATBarBarB)
Chorpartitur mit unterlegter Klavierstimme zum Üben
Item no.: 748772
No. 6 Zanzibar Boat Song
for: Piano 6 hands
Music score
Item no.: 748754
Edition Schott
for: Piano 4 hands
Music score
Item no.: 782331
No. 7 Brigg Fair "It was on the fifth of August" (England)
for: gemischter Chor (SATBB) mit Tenor-Solo
Choir score
Item no.: 748748
for middle-fiddle (viola) solo
for: Viola
Music score
Item no.: 782335
Choral Music of Our Time
for: gemischter Chor a cappella; Klavier ad libitum
Choir score
Item no.: 784440
13. Soldier, Soldier
for: gemischter Chor (SATTBB) mit Soli (SATTBB); Harmonium ad libitum
Chorpartitur mit untergelegtem Klavierauszug
Item no.: 729151
a free ramble on J. S. Bach's aria Sheep may Graze in Safety
for: 2 pianos
Noten 2 Ausgaben erforderlich
Item no.: 782337
No 22 "Country Gardens" (Handkerchief Dance)
for: Piano 4 hands
Music score
Item no.: 748753
for: Flute, oboe, clarinet, horn, bassoon (wind quintet)
Set of parts
Item no.: 748780
Irischer Volkstanz nach 2 Volkstänzen
for: Violin, piano
Music score
Item no.: 732734
Edition Schott
for: Organ
Music score
Item no.: 782333