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Johann Sebastian Bach (1685 – 1750)

King of Heaven, ever welcome BWV 182 – First Leipzig version in G major

Cantata for Palm Sunday and the feast of the Annunciation Cantata for Palm Sunday and the feast of the Annunciation
Stuttgarter Bach-Ausgaben

J.S. Bach: Himmelskönig, sei willkommen B, 3GesGchOrchO (KA) (0)

J.S. Bach: Himmelskönig, sei willkommen B, 3GesGchOrchO (KA) (1)

J.S. Bach: Himmelskönig, sei willkommen B, 3GesGchOrchO (KA) (2)

J.S. Bach: Himmelskönig, sei willkommen B, 3GesGchOrchO (KA) (3)

for	3 soloists (ATB), mixed choir (SATB), orchestra, organ
Musical Editions	Piano reduction
Item no.	133122
Author / Composer	Johann Sebastian Bach
Editor	Klaus Hofmann
Piano score	Paul Horn
Languages	german, english
Scope	40 pages; 19 × 27 cm
Duration	30 minutes
Release year	2014
Publisher / Producer	Carus Verlag
Producer No.	CV 31.182/53
ISMN	9790007059071

Assigned items

J.S. Bach

King of Heaven, ever welcome BWV 182 – First Leipzig version in G major

Cantata for Palm Sunday and the feast of the Annunciation Cantata for Palm Sunday and the feast of the Annunciation Stuttgarter Bach-Ausgaben – Score (Urtext edition)

for: 3 soloists (ATB), mixed choir (SATB), orchestra, organ

23.50 €(incl. VAT, plus shipping)

Description

The cantata "Himmelskönig, sei willkommen" BWV 182 holds a special place in Johann Sebastian Bach's biography. He had been employed as organist and chamber musician at the court of Weimar since 1708; on 2 March 1714, he was appointed concert master of the court, and his inauguration music for this occasion was "Himmelskönig, sei willkommen."

The cantata was first performed on Palm Sunday of that year, 25 March 1714. Bach performed this cantata several times - always revising and amending it - both in Weimar and in Leipzig. Of the altogether four versions, the first Leipzig version has been selected for the present new edition. Unlike the Weimar versions, it can berealized effectively using modern performance means. In his debut composition of 1714, the newly appointed concert master demonstrated his abilities: the eight movements contain a multitude of beautiful and rewarding challenges for choir and vocal soloists alike, and in addition there is the unusual attraction of a virtuoso solo part for the recorder.

Scoring: Soli ATB, Coro SATB, Blfl f1, Vl, 2 Va, Vc, Bc

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Johann Sebastian Bach

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Stuttgarter Bach-Ausgaben

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King of Heaven, ever welcome BWV 182 – First Leipzig version in G major

Cantata for Palm Sunday and the feast of the Annunciation Cantata for Palm Sunday and the feast of the Annunciation
Stuttgarter Bach-Ausgaben

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King of Heaven, ever welcome BWV 182 – First Leipzig version in G major

Cantata for Palm Sunday and the feast of the Annunciation Cantata for Palm Sunday and the feast of the Annunciation
Stuttgarter Bach-Ausgaben

for: 3 soloists (ATB), mixed choir (SATB), orchestra, organ

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J.S. Bach: Himmelskönig, sei willkommen , 3GesGchOrchO (Org)

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King of Heaven, ever welcome BWV 182 – First Leipzig version in G major

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Stuttgarter Bach-Ausgaben

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King of Heaven, ever welcome BWV 182 – First Leipzig version in G major

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