Looking for something to inspire your local choir or choral society? Our extensive range of choral repertoire includes works for Mixed Choir, Male Voice Choir, Female Voice Choir, Children’s & Youth Choirs, and Senior’s Choir, singing a Capella, with piano accompaniment, and with various other ensembles up to full orchestra.
Choral singing began to take form in the 9th & 10th Centuries, with the unison Gregorian Chant or Plain Chant. From the early Renaissance period, through composers like Palestrina , di Lasso and William Byrd true polyphonic choral music blossomed, and crescendo-ed through to a wonderful climax with Thomas Tallis’ Spem in alium for 40 parts, divided into 8 choirs.
As the form developed through the Renaissance into the Baroque period, composers such as Bach, Telemann and Händel gave the choir more and more autonomy, and through early operas and oratorios, married solo voices, choirs and orchestras together, to create these new musical forms, and inspired audiences with combinations of colours and sounds they had never before experienced.
Although there were many operas and oratorios written in the Classical period, sacred music also took a prominent role in shaping the development of choral music. While the chorus became a very useful tool on stage, Haydn, Mozart, Schubert and Beethoven composed many Masses, Requiems, Te Deums and Anthems to help brighten the world of church music, and uplift the hearts and souls of the congregation.
As opera continued to expand and stretch dramatic boundaries, choral music of the Romantic period was characterised by choral motets and anthems, and the oratorio grew into an even more varied and contrasting form. The oratorios Elijah and Paul are particularly noteworthy, since despite using Sacred themes, through the various musical facets at Mendelssohn’s disposal, they began to take on a much more operatic narrative. This can also be seen in the Requiems of Brahms and Verdi, where the choir itself, along with the orchestra, lead the dramatic storytelling.
Through the 20th Century, composers such as Ralf Vaughan Williams, Anton Webern, Arnold Schönberg, Benjamin Britten and Edward Elgar composed extensively for varying choral forces. Through these composers and many others, we begin to see choirs being tested and stretched, both technically and dramatically, and being pushed out of their comfort zone in order to inspire, shock and entice the audience. Works like Elgar’s The Dream of Gerontius and Schönberg’s Friede auf Erden made a huge impact on the choral landscape.
In the modern era, new choral genres such as Gospel Choir, Pop Ensembles and Jazz & Swing emerged. Composers like John Rutter, Karl Jenkins, Bob Chilcott and Andrew Lloyd Webber have become very popular.
aus "Hainhofers Lautenbüchern", 1603
for: Mixed choir (SATB) a cappella
Score
Item no.: 1151
aus "Trium vocum cantiones centum ..." (München 1541)
Ausgabe für tiefe Stimmen
for: Male choir (TBB) a cappella
Score
Item no.: 3310
„Ach, wie soll ich das gestehen“
aus: Sechs Canons zu Drey und Vier Stimmen, Leipzig 1807
for: Women's choir [male choir] a cappella
Score
Item no.: 6314
Christ ist erstanden!
D. 440
for: Mixed choir (SATB) a cappella
Score
Item no.: 3854
for: Mixed choir (SATB) a cappella
Sheet music
Item no.: 4799
aus "Le premier livre de Chansons", Antwerpen 1564
for: Male choir (TTBB) a cappella
Sheet music
Item no.: 1131
Aria zum 1. Sonntag nach Epiphanias
aus "Neue geistliche auf die Sonntag durchs gantze Jahr gerichtete Andachten ..."
for: Mixed choir (SATB), basso continuo
Score
Item no.: 4513
aus: Newe teutsche Lieder... welche gantz lieblich zu singen, auch auff allerley Instrumenten zu gebrauchen, Nürnberg 1581
eingerichtet für Frauenchor
for: Women's choir (SSA) a cappella
Score
Item no.: 6377
aus: Vier Tantum ergo für Sopran, Alt, Tenor und Bass
Gmunden, 1868
for: Mixed choir (SATB) a cappella
Score
Item no.: 5762
aus: Newe teutsche Lieder... welche gantz lieblich zu singen, auch auff allerley Instrumenten zu gebrauchen, Nürnberg 1581
eingerichtet für gemischten Chor (SABar)
for: Mixed choir (SABar) a cappella
Score
Item no.: 6393
Gospel
for: Mixed choir (SAAB), piano [keyboard/guitar]
Sheet music
Item no.: 2020
für gemischten Chor
for: Mixed choir (SATTBB) a cappella
Score
Item no.: 2181
aus "Musicalisch Kurtzweil" (Nürnberg, 1611)
for: Mixed choir (SATB) a cappella
Score
Item no.: 2915
Carol for mixed voices
for: Mixed choir (SATB) a cappella
Score
Item no.: 3239
aus "Neue Teutsche Geistliche Lieder, mit dreien Stimmen, nach Art der Welschen Villanellen ..."
Augsburg, 1591
for: Mixed choir (SABar) a cappella
Score
Item no.: 3582
aus "Le premier livre de Chansons", Antwerpen 1564
for: Mixed choir (SSAB) a cappella
Sheet music
Item no.: 1130
aus: Sacred Hymns, Anthems, and Versicles
London, 1766
for: Mixed choir (SATB) a cappella
Score
Item no.: 5779
Gospel
for: Mixed choir (SATB); piano [keyboard], guitar, bass, drums ad lib.
Score
Item no.: 1325
op. 41, Nr. 4
for: Mixed choir (SATB) a cappella
Score
Item no.: 3433
aus "Sechs Lieder im Freien zu singen", op. 59 (1843)
for: Mixed choir (SATB) a cappella
Score
Item no.: 4567
aus "Neue Weihnachtsliedlein mit vier und acht Stimmen"
for: Mixed choir (SATB) a cappella
Sheet music
Item no.: 2327
aus: "Les Sept paroles du Christ"
for: Mixed choir (SATB), organ
Score
Item no.: 5298
aus: Newer Deudscher Lieder mit dreyen Stimmen, welche nicht allein lieblich zu singen, sondern auf auff allerley Instrumenten zu gebrauchen.
Breslau, 1584
for: Mixed choir (STB) a cappella
Score
Item no.: 5681
aus: Teutsche Lieder mit dreyen Stimmen
München, 1583
for: Mixed choir (SABar) a cappella
Score
Item no.: 6062
from "The Second Booke of Songes or Ayres of foure partes with Tableture for the Lute", 1600
for: Mixed choir (SATB), lute [harpsichord]
Score
Item no.: 3335
for: Mixed choir (SATB) a cappella
Score
Item no.: 3121
Volkslied, WoO 33, Nr. 49
for: Mixed choir (SATB), precentor (medium), piano
Sheet music
Item no.: 1343
aus: Vier Tantum ergo für Sopran, Alt, Tenor und Bass
Gmunden, 1868
for: Mixed choir (SATB) a cappella
Score
Item no.: 6181
for: Mixed choir (SATB) a cappella
Score
Item no.: 3510
aus: "Der erste Frühlingstag", op. 48 (Nr. 1)
for: Mixed choir (SATB) a cappella
Score
Item no.: 1972
Psalm 25
for: Mixed choir a cappella
Score
Item no.: 6130
Gospel
for: Mixed choir (SATB); piano [keyboard], guitar, bass, drums ad lib.
Score
Item no.: 1326
Christmas Carol
for: Mixed choir (SATB) a cappella
Score
Item no.: 3246
for: Male choir (TTB) a cappella
Score
Item no.: 4085
from "Ayres or Phantasticke Spirites for Three Voices", 1608
for: Male choir (TTB) a cappella
Score
Item no.: 4301
for: Mixed choir (SATB) a cappella
Score
Item no.: 3166
für zwei Stimmen und Generalbass ad lib.
aus: Musae Sioniae, 9. Teil
for: Women's choir (SS) [2 solo voices]; organ ad lib.
Score
Item no.: 2790
D. 386
for: Mixed choir (SATB) a cappella
Score
Item no.: 1882
(Dresden, 1577)
for: Mixed choir (SABar) a cappella
Score
Item no.: 2070
Christmas Carol
for: Mixed choir (SABar) a cappella
Sheet music
Item no.: 2292
Hob. XXIII Anhang / Nachtrag
Psalm 31, 22-25
for: Mixed choir (SABar) a cappella
Score
Item no.: 2477
op. 176, Nr. 9
for: Mixed choir (SATB) a cappella
Score
Item no.: 1372
aus "Deutsche Volkslieder", WoO 35
for: Mixed choir (SATB) a cappella
Score
Item no.: 3482
for: Mixed choir (SSATB); basso continuo ad lib.
Score
Item no.: 3597
aus "Musae Sioniae", 9. Teil
for: Mixed choir (SABar) a cappella
Score
Item no.: 1626
Communio zum 4. Advent
for: Mixed choir (SATB) a cappella
Score
Item no.: 4435
Bicinium für Sopran und Alt
aus "Musae sioniae"
for: Women's choir (SA) [2 solo voices]
Score
Item no.: 3517
aus: "Der erste Frühlingstag", op. 48 (Nr. 2)
for: Mixed choir (SATB) a cappella
Score
Item no.: 1980
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