Ever since the Reformation brought the reading of scripture and preaching to the forefront of the liturgy, the term ’Historia’ or ’history’ denoted a biblical narrative and was used synonymously with ’salvation history’. Thus at first the Passion and the events of Easter were in the foreground, but soon nativity plays became popular. Occasionally, other vivid acts such as the Ascension or the sending of the Holy Spirit were also set to music.
If the biblical text was initially reproduced unchanged, song verses or other texts were soon inserted, which made it difficult to distinguish it from the oratorio. Instruments were also included, and recorders and shawms lent the pastoral scenes a rustic colouring. Probably theatrical aspects also played a role: Schütz’ Christmas story has been performed under a canopy with Mary, Joseph and the manger.
In the 20th century the genre experienced a revival under the name of ’history’ or - incorrectly, actually - ’oratorio’, to which numerous modern works bear witness.
Actus musicus auf Weih-Nachten (Luk. 2, 1-20)
for: gemischter Chor (SSATB) mit Soli (ST) und Orchester
Single part Cello/Double bass
Item no.: 748358
for: Solo (B), gemischter Chor (SATB), 2 Violinen, Basso continuo
Cello, double bass (orchestral part)
Item no.: 424572
Actus musicus auf Weih-Nachten (Luk. 2, 1-20)
for: gemischter Chor (SSATB) mit Soli (ST) und Orchester
Single part Viola
Item no.: 748357
for: School class
Book, CD
Item no.: 1207674
Nr. 11 aus der "Weihnachtsgeschichte"
for: Mixed choir (SABar), piano
Music score
Item no.: 732283
Nr. 14 aus der "Weihnachtsgeschichte"
for: Mixed choir (SABar), piano
Music score
Item no.: 722943