After the Second World War, there emerged a new generation of composers, who sought to stretch the boundaries of music history, and find new and exciting styles and forms. Browse our sheet music and scores, take a look at our Modern Classical Music, and explore the wide world of contemporary music with Stretta Music today!
Dodecaphony or Serialism is the use of the twelve semi-tones as the harmonic and structural basis, rather than the traditional harmonic key structure which governed classical music until the turn of the twentieth century. Arnold Schoenberg was the father of twelve-tone composition in the 1930s. Moving into the post-war era, all dodecaphonic or serial musical parameters, including note lengths, dynamics and even timbres were set in rows. After 1948, the Darmstadt “holiday courses” became the centre of Dodecaphony or Serialism for almost a decade. Despite the mathematical and logical basis, twelve-tone composition still produced many highly emotional works such as Luigi Nono’s Il Canto sospeso.
As the technical and electronic possibilities continued to grow and thrive after the war, the first studio solely dedicated to electronic music was founded in Cologne in 1951 by Herbert Eimert. Important electronic music composers were Edgar Varese, Karlheinz Stockhausen, Ernst Krenek, Maurice Kagel, Luciano Berio and Iannis Xenakis, who was also an assistant to the architect Le Corbusier.
Aleatoric comes from the Latin “alea”, meaning dice. Aleatoric composition leaves elements of the music to chance. The American composer John Cage was the first to experiment with aleatoric music, and many others followed, in particular K. Stockhausen, P. Boulez, W. Lutosławski.
Soundscape composition plays with sense and emotion, it uses long drawn musical landscapes to give the listener time to recognise and experience the music in a whole new way. The most important compositions include Atmosphères and Lontano by György Ligeti. Other works of this type were created by Luigi Nono, Krzysztof Penderecki, Iannis Xenakis.
Minimalism also came to Europe from the USA. Minimalism uses repetitive, wide blocks of sound, without strong contrasts or dramatic changes. It is in the repetition, with gradual, small changes, that the minimalist effect is achieved. The pioneers of minimalism in the 1960s were American composers Philip Glass, John Adams, Le Monte Young, Terry Riley and Steve Reich. They were followed in Europe by Henryk Górecki and Arvo Pärt.
"Das Volk, das im Finstern wandelt" (Jesaja 9)
for: Male choir (TTBB), organ
Partitur = Orgelstimme
Item no.: 746947
nach Worten von Matthias Claudius
for: gemischter Chor (SSATBB) mit Soli (SA) und Orchester
Choir score
Item no.: 751858
Orff-Schulwerk
for: Kinderchor (SMezA) mit Soli, Sprecher und Instrumenten
Einzelstimme Blockflöte
Item no.: 729205
op. 54
for: gemischter Chor (SATB) mit Soli (STB) und Streichorchester; Flöte und Cembalo ad libitum
Single part Violin 1
Item no.: 752326
op. 54
for: gemischter Chor (SATB) mit Soli (STB) und Streichorchester; Flöte und Cembalo ad libitum
Single part Double bass
Item no.: 730086
op. 54
for: gemischter Chor (SATB) mit Soli (STB) und Streichorchester; Flöte und Cembalo ad libitum
Single part Harpsichord
Item no.: 730090
op. 54
for: gemischter Chor (SATB) mit Soli (STB) und Streichorchester; Flöte und Cembalo ad libitum
Single part Flute
Item no.: 737682
op. 54
for: gemischter Chor (SATB) mit Soli (STB) und Streichorchester; Flöte und Cembalo ad libitum
Single part Violin 2
Item no.: 737823
op. 54
for: gemischter Chor (SATB) mit Soli (STB) und Streichorchester; Flöte und Cembalo ad libitum
Single part Cello
Item no.: 730081
Orff-Schulwerk
for: Kinderchor (SMezA) mit Soli, Sprecher und Instrumenten
Single part for mallets
Item no.: 729212
op. 54
for: gemischter Chor (SATB) mit Soli (STB) und Streichorchester; Flöte und Cembalo ad libitum
Single part Viola
Item no.: 744557
20 Weihnachtslieder zum Singen und Spielen
for: Kinderchor (Mez) unisono (Singstimme) mit Blockflöten (c'' oder f') oder Violine und Klavier oder Blockflöte, Violine und Violoncello
Treble recorder (single part)
Item no.: 736365
Tratschende Frauen; aus: Zwei Kanons; Slowakische Volksdichtung in ungarischer Übersetzung
for: Mixed choir a cappella
Music score
Item no.: 730989
aus dem "Gloria" für gemischten Chor, Sopran-Solo und Orchester
for: Male choir (TTBB) a cappella
Music score
Item no.: 740388
Nr. 3 aus: Drei Chorlieder vom Wein
for: Male choir (TTBB) a cappella
Music score
Item no.: 733627
An meinem Grab zu singen; Nr. 3 aus: Hesse-Lieder
for: Mixed choir (SATB) a cappella
Music score
Item no.: 733616
from "Carmina Burana"
for: gemischter Chor (SATB) und Klavier
Music score
Item no.: 730986
zum Fest des Hl. Antonius von Padua
for: Male choir (TTBB) a cappella
Music score
Item no.: 740389
Wie ein Strom möcht' ich fließen; aus: Zwei Kanons; Slowakische Volksdichtung in ungarischer Übersetzung
for: Mixed choir a cappella
Music score
Item no.: 730988
from "Catulli Carmina"
for: Mixed choir (SATB) a cappella
Music score
Item no.: 730987
Nr. 1 aus: Idegen földön
for: Women's choir (SMezA) a cappella
Music score
Item no.: 731009
"Des Knaben Wunderhorn"; Nr. 8 aus: Acht Chorlieder
for: Women's choir (SSAA) a cappella
Music score
Item no.: 740356
for: Mixed choir a cappella
Music score
Item no.: 730719
for: Mixed choir a cappella
Music score
Item no.: 730721
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