Carl Czerny (1791 – 1857)

The Art of Finger Dexterity op. 740

C. Czerny: Die Kunst der Fingerfertigkeit op. 740, Klav (0)C. Czerny: Die Kunst der Fingerfertigkeit op. 740, Klav (1)C. Czerny: Die Kunst der Fingerfertigkeit op. 740, Klav (2)C. Czerny: Die Kunst der Fingerfertigkeit op. 740, Klav (3)C. Czerny: Die Kunst der Fingerfertigkeit op. 740, Klav (4)C. Czerny: Die Kunst der Fingerfertigkeit op. 740, Klav (5)C. Czerny: Die Kunst der Fingerfertigkeit op. 740, Klav (6)
forPiano
Musical EditionsMusic lesson book
Item no.445280
Author / ComposerCarl Czerny
EditorWilhelm Ohmen
Levelmediumadvanced
Languagesgerman, english, french
Scope184 pages; 23 × 31 cm
Release year2006
Publisher / ProducerSchott Music
Producer No.ED 9820
ISBN9783795797805
ISMN9790001138123
UPC0841886001190

Description

The studies and study works by Carl Czerny (1791-1857) are part of the standard repertoire of piano lessons. These collections count among the most popular and most important works in piano education.

Content

Volume 1:

  • Developing agility in the fingers without moving the hands
  • Crossing under with the thumg
  • Developing clarity and fluency
  • Agility in playing a quiet staccato
  • Evenness in parallel runs
  • Clarity in playing broken chords
  • Dynamic tension when plying with force
  • Changing fingers at speed

Volume 2:

  • Staccato playing with a gentle spring
  • Playing in thirds
  • Facility in changing fingers
  • Flexibility in the left hand
  • Optimising fluency
  • Playing sequences of chords
  • Dynamic tension when playing with force
  • Changing fingers at speed

Volume 3:

  • Rapid minor scales
  • Crossing hands with a gentle touch
  • Maintaining the movement of both hands
  • Playing double octaves
  • Matching the movement of both hands
  • Practising trills
  • Developing a gentle touch with the fingers on the left hand
  • Playing the thumb on the black keys with a completely relaxed hand

Volume 4:

  • Achieving clarity at speed
  • Playing sequences of chords as fast as possible
  • Independent movement of the fingers
  • Increasing agility in the fingers without moving the hand around
  • Practising mordents
  • Developing a firm attack
  • Exercise in crossing the thumb under
  • Lifting the fingers evenly

Volume 5:

  • A light touch with octave leaps
  • Playing trills in thirds
  • Changing fingers on a single key
  • Keeping the arm light when playing a smotth line
  • Achieving clarity at full force
  • Lifting both hands smoothly
  • Exercise in thirds
  • Light staccato chords
  • Increasing mobility of the fingers on the left hand

Volume 6:

  • Practising double mordents
  • Practising crossing the thumb under
  • Optimising mobility of the fingers with the gentlest touch
  • Legato melodic line with broken chords
  • Bravura attack and motion
  • Clarity and gentleness of touch with brocken chords
  • Practising trills
  • Bravura octaves
  • Bravura attack and playing in tempo
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