George Frideric Handel (1685 – 1759)

Jephtha

Oratorio in three acts HWV 70
Hallische Händel-Ausgabe (HHA) I/30

G.F. Händel: Jephtha, GesGchOrc (PaH) (0)
for:
Solo voices, mixed choir, baroque orchestra
Musical Editions:
Score (Hardcover, Urtext edition)
Item no.:
619134
Author / Composer:
Text:
Editor:
Language:
english
Scope:
343 pages; 26 × 33 cm
Release year:
2010
Publisher / Producer:
Producer No.:
BA 4014
ISMN:
9790006442935

Description

“Jephtha” is Handel’s last oratorio. Handel had to break off from composing several times because of his increasing blindness in 1751. The first performance at the Covent Garden Theatre in February 1752 was the last performance he conducted before he went completely blind. In “Jephtha”, Handel succeeded in achieving the perfect fusion between a biblical plot and the spirit of classical tragedy. With great intensity and dramatic expression he highlighted in particular the fates of Jephtha and Iphis , thereby portraying convincing and complex characters.

The chorus “How Dark, O Lord, are Thy Decrees” at the end of part two is of crucial importance in the work and is regarded as the dramatic high point of the oratorio.

The vocal score is based on volume I/30 of the “Halle Handel Edition” (BA 4014), which contains the complete critical version of the music of the oratorio for the first time.

  • Handel’s last oratorio based on the Urtext of the Halle Handel Edition
  • First critical edition of this work

Detailed instrumentation:

Soprano solo (2), Mezzo-soprano solo, Tenor solo, Alto solo, Bass solo, Mixed choir:SSATB, Flute, Oboe (2), Bassoon (2), Horn (2), Trumpet (2), Violin (3), Viola, Basses (Violoncello, Double bass, Bassoon, Harpsichord, Organ)

Content

  • Zur Edition
  • Vorwort
  • Editorial Policy
  • Preface
  • Faksimiles:
  • Chorus (Nr. 28) "How dark, O Lord, are thy decrees!"
  • Air (Nr. 39U) "Laud her, all ye virgin train"
  • Air (Nr. 42) "Freely I to heav'n resign"
  • Quintet (Nr. 42b) "All that is in Hamor mine"
  • Air (Nr. 11) "Scenes of horror" (p. 81)
  • Air (Nr. 11) "Scenes of horror" (p. 82)
  • Händels Unterschrift unter dem Libretto für den Inspector of Stage Plays
  • Libretto-Druck, London 1752 [?]
  • Text des Hauptteils in deutscher Übersetzung
  • Texte der neuen Sätze für 1756 mit deutscher Übersetzung / Texts of the new movements for 1756 with German translation
  • Texte der neuen Sätze, die nicht datiert werden können, mit deutscher Übersetzung / Texts of the movements without a date with German translation
  • Besetzung / Scoring
  • Verzeichnis der Szenen / Index of Scenes
  • Partitur von 1752 / Score of 1752:
  • Ouverture
  • Act I
  • Act II
  • Act III
  • Anhang I / Appendix I: Vor der ersten Aufführung ersetzte Musik / Music replaced before the first performance
  • Anhang II / Appendix II: Musik für die Wiederaufnahme von 1756 / Music for the 1756 revival
  • Anhang III / Appendix III: Sätze, die nicht datiert werden können / Movements without a date
  • Critical report
  • Abbreviations
  • Library sigla
  • Sources: 1. Librettos, 2. Musical Sources
  • Detailed notes
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Delivery time: 2–5 working days (Germany)
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Related items

G.F. Händel: Jephtha, GesGchOrc (KA)
George Frideric Handel

Jephtha

Oratorio in three acts HWV 70
Bärenreiter Urtext

for: Solo voices, mixed choir, baroque orchestra

Piano reduction (Urtext edition)

Item no.: 564544

31.50  €incl. VAT, plus shipping
In stock. Delivery time: 1–3 working days (de)
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