George Frideric Handel (1685 – 1759)

Messiah (Messias)

HWV 56, 1742

G.F. Händel: Messiah (Messias), 4GesGchOrch (Chpa) (0)
for4 soloists (SATB), mixed choir (SATB), orchestra, basso continuo
Musical EditionsChoir score
Item no.817471
Author / ComposerGeorge Frideric Handel
EditorTon Koopman, Jan Siemons
Leveladvanced
Languagegerman
Scope72 pages; 21 × 29.7 cm
Duration144 minutes
Release year2014
Publisher / ProducerCarus Verlag
Producer No.CV 55.056/55
ISMN9790007226787

Description

George Frideric Handel is considered England’s first and foremost composer of oratorios. Above all, the Messiah is regarded as the epitome of sacred music and in German-speaking countries it is also one of the most often performed works in the genre. The version of the Messiah which is most often performed today is a combination of various versions.

Consequently, the present critical edition by Ton Koopman contains all the surviving alternative versions of the solo movements. A concordance makes it possible to assign these movements to those various performances of the work conducted by Handel between the Dublin premiere in 1742 and the London concerts which took place up to 1759.In accordance with the wishes voiced by many choral conductors and singers, the vocal score is available in separate English and German versions.

Content

  • Sinfony
  • Accompagnato (Tenore): Comfort ye my people
  • Air (Tenore): Ev'ry valley shall be exalted
  • Chorus: And the glory of the Lord
  • Accompagnato (Basso): Thus saith the Lord
  • Air (Alto): But who may abide
  • Recitative (Alto): Behold, a virgin shall conceive, 8. Air (Alto) and Chorus: O thou that tellest good tidings to Zion
  • Accompagnato (Basso): For behold, darkness shall cover the earth
  • Air (Basso): The people that walked in darkness
  • Chorus: For unto us a child is born
  • Pifa, Recitative (Soprano): There were shepherds abiding in the field
  • Accompagnato (Soprano): And lo, the angel of the Lord
  • Recitative (Soprano): And the angel said unto them, 14. Accompagnato (Soprano): And suddenly there was with the angel
  • Chorus: Glory to God in the highest
  • Air (Soprano): Rejoice greatly
  • Recitative (Alto): Then shall the eyes of the blind, 17. Air (Alto, Soprano): He shall feed His flock
  • Chorus: His yoke is easy
  • Chorus: Behold the Lamb of God
  • Air (Alto): He was despised
  • Chorus: Surely He hath borne our griefs
  • Chorus: And with His stripes we are healed
  • Chorus: All we, like sheep
  • Accompagnato (Tenore): All they that see Him
  • Chorus: He trusted in God that He would deliver Him
  • Accompagnato (Tenore): Thy rebuke hath broken His heart
  • Arioso (Tenore): Behold, and see, if there be any sorrow
  • Accompagnato (Tenore): He was cut off out of the land of the living
  • Air (Tenore): But Thou didst not leave His soul in hell
  • Chorus: Lift up your heads
  • Recitative (Tenore): Unto which of the angels, 31. Chorus: Let all the angels of God worship Him
  • Air (Alto): Thou art gone up on high
  • Chorus: The Lord gave the word
  • Air (Soprano): How beautiful are the feet of them
  • Chorus: Their sound is gone out
  • Air (Basso): Why do the nations
  • Chorus: Let us break their bonds asunder
  • Recitative (Tenore): He that dwelleth in heaven, 38. Air (Tenore): Thou shalt break them
  • Air (Soprano): I know that my Redeemer liveth
  • Chorus: Since by man came death
  • Accompagnato (Basso): Behold, I tell you a mystery
  • Air (Basso): The trumpet shall sound
  • Recitative (Alto): Then shall be brought to pass, 44. Duet (Alto, Tenore): O death, where is thy sting?
  • Chorus: But thanks be to God
  • Air (Soprano): If God be for us
  • Chorus: Worthy is the Lamb that was slain
  • Chorus: Amen
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