Felix Mendelssohn Bartholdy (1809 – 1847)

Psalm "Non nobis Domine" op. 31 MWV A 9

"Nicht unserm Namen, Herr"
Bärenreiter Urtext

F. Mendelssohn Barth: Psalm, GsGchOrch (Part.) (0)F. Mendelssohn Barth: Psalm, GsGchOrch (Part.) (1)F. Mendelssohn Barth: Psalm, GsGchOrch (Part.) (2)F. Mendelssohn Barth: Psalm, GsGchOrch (Part.) (3)
for:
3 soloists (STB), mixed choir (SATB), orchestra
Musical Editions:
Score (Urtext edition)
Item no.:
668414
Author / Composer:
Editor:
Level:
medium
Languages:
german, latin
Scope:
74 pages; 24.3 × 31 cm
Release year:
2017
Publisher / Producer:
Producer No.:
BA 9079
ISMN:
9790006531370

Assigned items

Description

  • Informative Foreword in the score (Ger/Eng)
  • Text underlay in two languages (Lat/Ger)
  • Piano reduction by the composer

The first great orchestral psalm

Mendelssohn’s first great orchestral psalm took almost six years to complete, from the initial sketches and the first version of 1830 to the final version of 1835. Its premiere which took place at the Leipzig Gewandhaus did not take place until 1838. Unlike his other orchestral psalms, Mendelssohn took the Latin words from the Vulgate as his principal text which stems from Psalm 113. When he later prepared his own German translation, he made use of Psalm 115 from the Luther Bible.

This edition by the leading Mendelssohn authority John Michael Cooper incorporates all the relevant sources. In accordance with the work's genesis, the vocal parts are underlaid with the Latin text, and the German text appears underneath. Rounding off this Urtext edition are an informative Foreword and detailed Critical Commentary.

The piano reduction stems from Mendelssohn himself.

Content

  • Preface
  • Vorwort
  • Texts and Translations
  •  1. Choir: Non nobis Domine / Nicht unserm Namen, Herr
  •  2. Duet with Choir: Domus Israel speravit / Israel hofft auf dich
  •  3. Arioso: Adjiciat Dominus super vos / Er segne Euch je mehr und mehr
  •  4. Choir: Non mortui laudabunt te, Domine / Die Toten werden dich nicht loben, o Herr
  • Appendix A: Original Five-Part Introduction to No. 4
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