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Content
- "Preface 2
- Part I. Twenty-Four Détaché Warm-Ups
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- For Single Tonguing 3
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- For Single Tonguing 6
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- For Single and Double Tonguing 10
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- For Single Tonguing 14
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- For Single Tonguing 17
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- For Double Tonguing 21
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- For Single and Double Tonguing 25
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- For Single and Double Tonguing 29
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- For Double Tonguing 33
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- For Single and Double Tonguing 37
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- For Double Tonguing 41
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- For Double Tonguing 45
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- For Double Tonguing/“Bariolage” 49
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- For Double Tonguing/Tremolando 53
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- For Double Tonguing/“Toccata” 57
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- For Double Tonguing 61
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- For Double Tonguing 63
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- For Double Tonguing 67
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- For Double Tonguing/Tremolando 70
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- For Double Tonguing/Tremolando 72
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- For Double Tonguing/Tremolando 76
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- For Triple Tonguing 82
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- For Triple Tonguing/Tremolando 86
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- For Triple Tonguing/Tremolando 90
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- Part II. Fifteen Legato Warm-Ups
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- “Reaching Out” (To Open the Tone
- Bottom to Top) 97
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- “Cécile” A (Legato Warm-up for the Middle Register) 99
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- “Cécile” B (Legato Warm-up for the Middle Register) 102
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- “Sunrise” (For the Middle Register) 105
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- “Norwegian Warm-Up” (To Open the Upper Register) 107
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- “Leipzig” (For the Middle Register) 109
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- “Hymn to Nature” (For the Middle Register) 112
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- “Going Deeper”
- (To Open the Middle and Lower Registers) 116
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- “Giant Steps” (For Wide Intervals
- Sostenuto) 118
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- “Aubade” (For the Middle Register
- Sostenuto) 121
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- “Stretching” (For Wide Intervals
- Sostenuto) 123
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- “Posthorn” (For Tone and Expression) 126
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- “Good Connections”
- (For Wide Intervals/Piano
- Legato Sostenuto) 128
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- “Berceuse”
- (For Control and Flexibility in the Upper Register) 138
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- “Making Seamless Connections”
- (For Control in the Upper Register/Piano
- Sostenuto) 141
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- “Rêverie” (For the Upper Register/Piano
- Sostenuto) 143
- "
