Germany
Austria
Switzerland
Netherlands
Belgium
France
Luxembourg
Italy
Spain
Portugal
Denmark
Finland
Sweden
Poland
Czech Republic
Worldwide
Content
- Chapter 1: Introduction and Warmup
- Preface
- About the Author
- The Chromatic Scale Warmup
- 1.1
- Left and Right-Hand Technique
- Chapter 2: Technique and Prerequisite Scales
- Prerequisite Scales - Planted Note in Lower Register
- 2.1 to 2.4
- Prerequisite Scales - Planted Note in Upper Register
- 2.5 to 2.8
- Chapter 3: Studies in Thirds with Planted Note in Lower Register
- The Four Directions Used
- The Importance of Offset Rhythm
- Part 1: Basic Intervals in Thirds - Low Planted Note
- 3.1 to 3.16
- Part 2: Studies in Thirds with Planted Note in Lower Register
- 3.17 to 3.32
- “When the Saints Go Marching In” Etude #1
- 3.33
- Chapter 4: Studies in Thirds with Planted Note in Upper Register
- Part 1: Basic Third Intervals - High Planted Note
- 4.1 to 4.16
- Part 2: Offset Intervals of a Third - High Planted Note
- 4.17 to 4.32
- “When the Saints Go Marching In” Etude #2
- 4.33
- Chapter 5: Triad Arpeggio Studies with Planted Note in Lower Register
- Part 1: Basic Triad Arpeggios - Low Planted Note
- 5.1 to 5.16
- Part 2: Offset Rhythm Triad Arpeggios - Low Planted Note
- 5.17 to 5.32
- Jigsaw Etude
- 5.33
- Chapter 6: Triad Arpeggio Studies with Planted Note in Upper Register
- Part 1: Basic Triad Arpeggios - High Planted Note
- 6.1 to 6.16
- Part 2: Offset Third Arpeggios - High Planted Note
- 6.17 to 6.32
- Baroque Style Etude
- 6.33
- Chapter 7: 7th Arpeggio Studies with Planted Note in Lower Register
- Part 1: Basic 7th Arpeggios (without offset rhythm) - Low Planted Note
- 7.1 to 7.16
- Part 2: Offset Rhythm with 7th Arpeggios - Low Planted Notes
- 7.17 to 7.32
- Secondary Dominant Exercise
- 7.33
- Chapter 8: 7th Arpeggio Studies with Planted Note in Upper Register
- Part 1: Basic 7th Arpeggios - High Planted Note
- 8.1 to 8.16
- Part 2: Offset Rhythm 7th Arpeggios - High Planted Note
- 8.17 to 8.32
- “Danny, Take the High Road”
- 8.33
- “Take the High Road, Danny”
- 8.34
- Chapter 9: Advanced Concepts: Next Steps for the Advanced Guitarist
- Part 1: Interval Studies1
- 9.1 to 9.5
- Part 2: Two Planted Notes
- 9.6 to 9.8
- Part 3: Moving Planted Notes
- 9.9 to 9.11
- Part 4: Planted Notes on Other Strings and Roots
- 9.12 to 9.17
- “Blues Etude”
- 9.18
- Excerpt from “Invention No 1 in C Major” by J S Bach
- 9.19
