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The Renaissance Period – Sheet Music & Scores

The Renaissance saw the musical shackles of the Medieval Period being broken, and both secular and sacred music became livelier and more expressive, and through the developments of printed music, more widely available. Browse our sheet music and scores, and pick up a mass or a madrigal today!

Music of the Renaissance Period

The driving force of the Renaissance was humanism (from the Latin “hummanus” or human), the dogmas of the church were overturned by science, and art was inspired by antiquity and a new, harmonious worldview. Vocal polyphony was very much at the forefront of Renaissance music, and a desire for perfect form, and rational, logical sophistication emerged. In church music, the cyclic form of the Mass, Kyrie, Gloria, Credo, Sanctus, Agnus Dei was still widely deployed, and musical settings of Motets, Litanies, Psalms and Magnificat & Nunc Dimittis broadened the congregation’s musical experience. Secular vocal music also developed through the madrigals, and polyphonic and unison songs.

Basic Elements of Polyphonic Vocal Music

In contrast to the Medieval Period, the Renaissance began with a new design principle, imitation. A short, lively theme moves from voice to voice, and the composer creates a counter-melody to compliment it. Elements from the Medieval however were still present, and the “cantus firmus” or fixed chant was often a device of choice in the Renaissance. The cantus firmus takes a theme from Gregorian Chant or Folk Music, but the composer uses augmentation, elongates the note values, and uses the cantus firmus as the harmonic basis for this polyphonic work. From here, the canon soon evolved, which was the clear precursor to the baroque fugue.

Renaissance Instrumental Music

The Renaissance marked a big step in the development of instrumental music, and a significant move towards independence for solo instruments, and chamber groups. Traditionally instruments were used as accompaniment for choir or solo singing or for dance music, but through the Renaissance Period, pure instrumental solo or ensemble music became more and more popular. In particular, Renaissance Organ Music experienced a great boom due to the technical development of the instrument, and it was during the 16th century that more vocal instrumental music started emerging, and the first works featuring basso continuo were written.

Important Renaissance Composers

DL: J. Crueger: O Haupt voll Blut und Wunden
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Johann Crüger

O Haupt voll Blut und Wunden

for: Mixed choir (SATB), basso continuo

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Item no.: 2696

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DL: M. Franck: Das alte Jahr vergangen ist Am Neujahrstag /
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Melchior Franck

Das alte Jahr vergangen ist

Am Neujahrstag
aus "Gemmulae Evangeliorum Musicae ...", Coburg 1623

for: Mixed choir (SATB) a cappella

Score

Item no.: 4130

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DL: M. Franck: Gen Himmel aufgefahren ist aus: Cantionale sa
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Melchior Franck

Gen Himmel aufgefahren ist

aus: Cantionale sacrum
Gotha, 1646

for: Mixed choir (SATB) a cappella

Score

Item no.: 2948

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DL: T. Arbeau: Belle, qui tiens ma vie Pavane / fuer Chor
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Toinot Arbeau

Belle, qui tiens ma vie

Pavane
für Chor

for: Mixed choir (SATB) a cappella

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Item no.: 2065

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DL: H.Dedekind: Frischauf, wir wollen froehlich sein, Gch3
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Henning Dedekind

Frischauf, wir wollen fröhlich sein

aus: Dodekatonon Musicum Triciniorum ..., Erfurt 1588

for: Mixed choir (SAB) a cappella

Score

Item no.: 6475

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DL: M. Praetorius: Der Tag vertreibt die finstre Nacht aus:
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Michael Praetorius

Der Tag vertreibt die finstre Nacht

aus: Musae sioniae, 8. Teil

for: Mixed choir (SATB) a cappella

Score

Item no.: 3081

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DL: M. Praetorius: Jesu, nun sei gepreiset aus
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Michael Praetorius

Jesu, nun sei gepreiset

aus "Musae sioniae", 6. Teil
(Neujahr)

for: Mixed choir (SATB) a cappella

Score

Item no.: 2443

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DL: G. Lange: Lenz kommt herbei
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Gregor Lange

Lenz kommt herbei

for: Women's choir (SSA) a cappella

Score

Item no.: 3337

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Orlando di Lasso

Offertoria

for: TENOR 3

Item no.: 388264

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DL: M. Praetorius: Erbarm dich mein, o Herre Gott aus
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Michael Praetorius

Erbarm dich mein, o Herre Gott

aus "Musae sioniae", 9. Teil
für Männerchor (TTB)

for: Male choir (TTB) a cappella

Score

Item no.: 2111

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DL: J. Crueger: Herzliebster Jesu aus
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Johann Crüger

Herzliebster Jesu

aus "Geistliche Gesänge Augspurgischer Confession", Berlin 1641

for: Mixed choir (SATB), basso continuo

Score

Item no.: 3303

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DL: W. Holborne: Change then, for lo she changeth from:
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William Holborne

Change then, for lo she changeth

from: "Anthony Holborne: The Cittarn Schoole ..."
London, 1597

for: Mixed choir (SABar) a cappella

Score

Item no.: 4313

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DL: G.G. Gastoldi: Questa dolce Sirena Balletto a 5 voci
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Giovanni Giacomo Gastoldi

Questa dolce Sirena

Balletto a 5 voci

for: Mixed choir (SSATB) a cappella

Score

Item no.: 2182

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DL: H. Schuetz: Wo Gott zum Haus nicht gibt sein Gunst Psalm
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Heinrich Schütz

Wo Gott zum Haus nicht gibt sein Gunst

Psalm 127
aus "Psalmen Davids, Hiebevorn in Teutzsche Reimen gebracht durch D. Cornelium Beckern ..."

for: Mixed choir (SATB), basso continuo

Score

Item no.: 3008

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Orlando di Lasso

Offertoria

for: BASS 3

Item no.: 388262

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DL: A. Gumpelzhaimer: Ich ruf zu Dir, Herr Jesu Christ Kanon
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Adam Gumpelzhaimer

Ich ruf zu Dir, Herr Jesu Christ

Kanon zu zwei gleichen Stimmen
aus: Compendium musicae (Augsburg 1591)

for: Women's choir (2 voices) [male choir]

Score

Item no.: 3021

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DL: M. Praetorius: Es ist ein Ros entsprungen aus
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Michael Praetorius

Es ist ein Ros entsprungen

aus "Musae Sioniae" 6. Teil

for: Mixed choir (SATB) a cappella

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Item no.: 1705

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DL: J. Kugelmann: Verleih uns Frieden gnaediglich aus
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Johann Kugelmann

Verleih uns Frieden gnädiglich

aus "Concentus novi, trium vocum"

for: Mixed choir (SABar) a cappella

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Item no.: 1653

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DL: M. Praetorius: Der Morgenstern ist aufgedrungen aus
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Michael Praetorius

Der Morgenstern ist aufgedrungen

aus "Musae Sioniae" (1609)

for: Mixed choir (SATB) a cappella

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Item no.: 1140

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DL: H.L. Hassler: Feinslieb, du hast mich gfangen, GCh4
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Hans Leo Haßler

Feinslieb, du hast mich gfangen

aus "Neue teutsche Gesang, nach Art der welschen Madrigalien und Canzonetten"
Augsburg, 1596

for: Mixed choir (SATB) a cappella

Score

Item no.: 2095

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DL: A. Gumpelzhaimer: Lerne Gottesfurcht Kanon zu zwei Stimm
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Adam Gumpelzhaimer

Lerne Gottesfurcht

Kanon zu zwei Stimmen, aus "Compendium musicae" (Augsburg, 1591)

for: Mixed choir (SB) a cappella

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Item no.: 1800

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DL: J. Staden: Ostergesang von der Siegreichen Aufferstehung
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Johann Staden

Ostergesang

von der Siegreichen Aufferstehung unsers HERRN Jesu Christi
aus: Haußmusic Geistlicher Gesäng

for: Mixed choir (SATB) a cappella

Score

Item no.: 5320

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DL: H.L. Hassler: Vater unser aus:
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Hans Leo Haßler

Vater unser

aus: "Kirchengesänge, Psalmen und geistliche Lieder auf die gemeinen Melodien mit vier Stimmen simpliciter gesetzt"

for: Mixed choir (SATB) a cappella

Score

Item no.: 3573

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DL: G. Lange: Lenz kommt herbei
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Gregor Lange

Lenz kommt herbei

for: Mixed choir (SABar) a cappella

Score

Item no.: 3422

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DL: L. Osiander: Gelobet seist du Jesu Christ aus:
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Lucas Osiander

Gelobet seist du Jesu Christ

aus: "Fuenfftzig Geistliche Lieder vnd Psalmen ..."
Nürnberg 1586

for: Mixed choir (SATB) a cappella

Score

Item no.: 4115

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DL: H.Dedekind: Huebsch waer' ich gern, Gch3
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Henning Dedekind

Hübsch wär' ich gern

aus: Dodekatonon Musicum Triciniorum ..., Erfurt 1588

for: Mixed choir (SAB) a cappella

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Item no.: 6477

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DL: H. Schuetz: Lobt Gott in seinem Heiligtum Psalm 150 / au
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Heinrich Schütz

Lobt Gott in seinem Heiligtum

Psalm 150
aus "Psalmen Davids, Hiebevorn in Teutzsche Reimen gebracht durch D. Cornelium Beckern ..."

for: Mixed choir (SATB), basso continuo

Score

Item no.: 3070

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DL: M. Praetorius: Erbarm dich mein, o Herre Gott aus
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Michael Praetorius

Erbarm dich mein, o Herre Gott

aus "Musae sioniae", 9. Teil
für gemischten Chor (SAM)

for: Mixed choir (SABar) a cappella

Score

Item no.: 2110

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DL: H. Isaac: Innsbruck, ich muss dich lassen
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Heinrich Isaac

Innsbruck, ich muß dich lassen

for: Mixed choir (SATB) a cappella

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Item no.: 1279

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DL: M. Vulpius: Gelobt sei Gott im hoechsten Thron aus:
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Melchior Vulpius

Gelobt sei Gott im höchsten Thron

aus: "Ein schön geistlich Gesangbuch ..." , Jena 1609

for: Mixed choir (SATB) a cappella

Score

Item no.: 3845

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DL: C. Othmayr: Es ist ein Schnee gefallen aus Georg Forster
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Caspar Othmayr

Es ist ein Schnee gefallen

aus Georg Forsters Sammlung "Frische teutsche Liedlein"

for: Mixed choir (SATB) a cappella

Score

Item no.: 2847

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DL: M. Franck: Da pacem, Domine Kanon zu vier Stimmen in der
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Melchior Franck

Da pacem, Domine

Kanon zu vier Stimmen in der Unterquarte

for: Mixed choir (SATB) a cappella

Score

Item no.: 5419

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DL: H.Dedekind: Still schweigen, Gch3
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Henning Dedekind

Still schweigen

aus: Dodekatonon Musicum Triciniorum ..., Erfurt 1588

for: Mixed choir (SAB) a cappella

Score

Item no.: 6476

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DL: J. Stadlmayr: Conditor alme siderum Hymnus in Dominicis
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Johann Stadlmayr

Conditor alme siderum

Hymnus in Dominicis et Feriis Adventus Domini

for: Mixed choir (SATB) a cappella

Score

Item no.: 3535

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DL: H. Schuetz: Wer nicht sitzt im Gottlosen Rat Psalm 1 / a
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Heinrich Schütz

Wer nicht sitzt im Gottlosen Rat

Psalm 1
aus "Psalmen Davids, Hiebevorn in Teutzsche Reimen gebracht durch D. Cornelium Beckern ..."

for: Mixed choir (SATB), basso continuo

Score

Item no.: 4287

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DL: G. Lange: Lenz kommt herbei, Mch3 (Part.)
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Gregor Lange

Lenz kommt herbei

for: Male choir (TTB) a cappella

Score

Item no.: 3338

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Orlando di Lasso

Offertoria

for: SOPRAN 3

Item no.: 388263

0.50  €incl. VAT, plus shipping
Delivery time: 3–5 weeks
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Orlando di Lasso

Offertoria

for: ALT 3

Item no.: 388261

0.50  €incl. VAT, plus shipping
Delivery time: 3–5 weeks
DL: H.L. Hassler: O Mensch, bewein dein Suende gross (Nuernb
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Hans Leo Haßler

O Mensch, bewein dein Sünde groß

(Nürnberg, 1608)

for: Mixed choir (SATB) a cappella

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Item no.: 1464

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DL: H.L. Hassler: Jesus Christus, unser Heiland aus:
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Hans Leo Haßler

Jesus Christus, unser Heiland

aus: "Kirchengesänge, Psalmen und geistliche Lieder auf die gemeinen Melodien mit vier Stimmen simpliciter gesetzt", 1608

for: Mixed choir (SATB) a cappella

Score

Item no.: 3844

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Michael Praetorius

Resonet Nunc (Singet Und Klinge

for: Organ (manuals) [harpsichord]

Item no.: 195353

0.70  €incl. VAT, plus shipping
Delivery time: 5–7 working days (de)
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Michael Praetorius

Resonet Nunc (Singet Und Klinge

for: Viola

Item no.: 195355

0.70  €incl. VAT, plus shipping
Delivery time: 5–7 working days (de)
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Michael Praetorius

Resonet Nunc (Singet Und Klinge

Violin 1 (orchestral part)

Item no.: 195354

0.70  €incl. VAT, plus shipping
Delivery time: 5–7 working days (de)
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Jacobus Gallus

Ecce Quomodo Moritur

for: Mixed choir a cappella

Item no.: 386476

0.70  €incl. VAT, plus shipping
Delivery time: 3–5 weeks
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Michael Praetorius

Resonet Nunc (Singet Und Klinge

Cello, double bass (orchestral part)

Item no.: 195356

0.70  €incl. VAT, plus shipping
Delivery time: 5–7 working days (de)
DL: J. Meiland: Frisch auf, gut Gsell aus:
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Jacob Meiland

Frisch auf, gut Gsell

aus: "Neuwe ausserlesene teutsche Gesäng"
Frankfurt am Main, 1575

for: Mixed choir (SATB) a cappella

Score

Item no.: 4524

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DL: J. Steuerlein: Mit Lieb bin ich umfangen aus
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Johann Steuerlein

Mit Lieb bin ich umfangen

aus "Hainhofers Lautenbüchern", 1603

for: Mixed choir (SATB) a cappella

Score

Item no.: 1151

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DL: I. de Vento: Gott ist mein Trost aus
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Ivo de Vento

Gott ist mein Trost

aus "Trium vocum cantiones centum ..." (München 1541)
Ausgabe für tiefe Stimmen

for: Male choir (TBB) a cappella

Score

Item no.: 3310

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Verband deutscher MusikschulenBundesverband der Freien MusikschulenJeunesses Musicales DeutschlandFrankfurter Tonkünstler-BundBundes­verb­and deutscher Lieb­haber-OrchesterStützpunkt­händ­ler der Wiener Urtext Edition

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